Posts in MOVIE REVIEW
MOVIE REVIEW: The Fall Guy

Through a cavalcade of creatively designed set pieces, Leitch and The Fall Guy put the bang in “the whole shebang” with this kinetic crowd pleaser positioned to open the 2024 summer movie season with that very sound effect. After years of development hell, Universal Pictures found their perfect stewards with David Leitch and Ryan Gosling and indulged their pyrotechnic and brawny dreams to bust every block in sight. The TV show’s awareness and appreciation for these behind-the-scenes champions has now become Leitch’s own. 

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MOVIE REVIEW: The Idea of You

Not to equate an actress to a videogame or pro wrestling, but Anne Hathaway has a unique and refined moveset as a performer. Her most front-and-center and patented gimmick has always been her wide and radiant smile. When all else fails, Anne can pull that out and win just about any heart. Strategically, though, she has an even stronger bread-and-butter maneuver, and it comes out distinctly in her new film The Idea of You. It’s the “look-away.”

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MOVIE REVIEW: The Moon & Back

Smooth one, Peter. Leave it to dads to gladly go beyond their reach and overdo a promise to impress their spouse and children. Why? Because dads are meant to be larger than life and therefore operate the same way. Well, “to the moon and back” sure worked on Peter Gilbert’s daughter Lydia (Isabel May of I Want You Back) every time it was shared. The Moon & Back confirms that claim with evidence captured with the framing and resolution of old VHS.

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MOVIE REVIEW: The Brink Of

Make no mistake. Unspoken history exists between Lena and James. At this recorded moment, they may or may not share the inquiring answer the host is hoping to extract. Nevertheless, there’s a story here that promises a long and difficult road merging togetherness and stardom. Using deft and economical storytelling, writer-director Patrick Meaney (House of Demons) has crafted The Brink Of to reveal this little melodrama nimbly.

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DOCUMENTARY REVIEW: Deep Sky

Much like the scientifically wondrous notion of us forged by recycled dust of past celestial bodies, the documentary’s powerful implications and posed questions give Deep Sky viewers immense swell and pause. Even though Deep Sky is an abrupt shorthand version of a continuing story, it is exactly the type of presentation and ponderous point that will rightfully and fruitfully inspire the next generation of innovators and explorers. Somebody somewhere is going to watch Deep Sky, hear Williams’ lush poeticism, and plot their future.

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MOVIE REVIEW: Sasquatch Sunset

It’s not that the movie or the actors don’t look the part in Sasquatch Sunset. That’s not the issue. It’s more about the purposes and examinations at hand. This film, which enjoyed praise during its world premiere at the 2024 Sundance Film Festival earlier in the year, is one hell of a bizarre enigma poking and prodding any number of desires and intentions. 

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MOVIE REVIEW: Challengers

Challengers roars forth to use the invasive scrutiny found in tennis as a mimicking reflection of personal hostilities and exposed intimacies. Keeping with that idea of body language, Guadagnino’s blistering athletic love triangle is a ballet of sweat and a battle of three beautifully furrowed brows set atop the lithe bodies of Zendaya, Josh O’Connor, and Mike Faist. For two hours-plus mirroring the length of a full set tennis match, this film cuts years deep and rips off scabs to show you why those brows are furrowed and towards whom.

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MOVIE REVIEW: The Absence of Eden

When it comes to the contentious social and political conflicts surrounding the immigration issues between Mexico and the United States, it’s very easy to create “us vs. them” measurements and scenarios. On many occasions, each side has called out opposing irregularities and hostilities to declare themselves in the right while labeling the other the enemy. The Absence of Eden, the debut directorial effort from Marco Perego, attempts to address this balance while carrying a burdensome “us vs. them” dual narrative.

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MOVIE REVIEW: Civil War

No one wins in a civil war. Apathy exists and wins instead through a constant mood of nearly callous disillusionment. On the other hand, if you don’t need the spoon-feeding and welcome your own search for the rational or irrational that could be dirty or delicate at any moment, Civil War may be the ideal type of havoc to dissect. 

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MOVIE REVIEW: Wicked Little Letters

The sentiment and pattern of the letters morphs from targeted malice to liberated venting, and begins to float as both. And, it’s all likely coming from marginalized female citizens who never have the stump or permissive opportunity to speak their mind or exorcize their frustrations in an honest way, let alone a shamelessly crude one. Wicked Little Letters develops enough expressive clout with its mystery to be more about the voices being found than the rumors being circulated. 

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MOVIE REVIEW: Monkey Man

Most will come away from Monkey Man going on and on like that last paragraph to praise the carnality of this movie, and rightfully so. That strapping and blood-soaked athleticism is what is going to draw the hoots and hollers at public screenings and fire up future YouTube fight breakdowns. Sometimes action for action’s sake can come up empty for greater meaning and audience investment. Without anchors to care about, the fun of it all can be meaningless. This movie does not make that mistake. That’s why Monkey Man’s passionate heart should be praised as highly as its physicality.

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MOVIE REVIEW: The Greatest Hits

Merging this kind of existential melodrama with the outlandish happenstance of time travel requires characters audiences will care about beyond pragmatics and a lush production that can sprinkle magic on the grains of salt required. With the three charismatic and emerging talents present, the human appeal is covered in The Greatest Hits.

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