In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year.
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In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of 2003.
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Hailing from North Carolina, Joel Winstead works his own website and contributes for Inside the Film Room and Asheville Movies. He is also a member of the North Carolina Film Critics Association and the Southeastern Film Critics Association. Joel recently started a new podcast named “And the Winner Was…” where he goes through film history to talk about each Best Picture Academy Award winner. For this his 20th episode, I joined him to talk about 1947’s Gentleman’s Agreement.
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Hailing from North Carolina, Joel Winstead works his own website and contributes for Inside the Film Room and Asheville Movies. He is also a member of the North Carolina Film Critics Association and the Southeastern Film Critics Association. Joel recently started a new podcast named “And the Winner Was…” where he goes through film history to talk about each Best Picture Academy Award winner. For this his 19th episode, I joined him to talk about 1946’s The Best Years of Our Lives.
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Hailing from North Carolina, Joel Winstead works his own website and contributes for Inside the Film Room and Asheville Movies. He is also a member of the North Carolina Film Critics Association and the Southeastern Film Critics Association. Joel recently started a new podcast named “And the Winner Was…” where he goes through film history to talk about each Best Picture Academy Award winner. For this his 5th episode, I joined him to talk about 1932’s Grand Hotel.
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Hailing from North Carolina, Joel Winstead works his own website and contributes for Inside the Film Room and Asheville Movies. He is also a member of the North Carolina Film Critics Association and the Southeastern Film Critics Association. Joel recently started a new podcast named “And the Winner Was…” where he goes through film history to talk about each Best Picture Academy Award winner. For this his 4th episode, I joined him to talk about 1931’s Cimarron.
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In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of the rest of 2002.
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In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of 2002.
Read More
In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of the rest of 2000.
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In an annual series, Every Movie Has a Lesson is going to look back twenty years to revisit, relearn, and reexamine a year of cinema history to share favorites, lists, and experiences from the films of that year. When measuring back as far as twenty years or more, I feel like “favorites” that have stood the test of time have aged to become some level of “best.” I feel like a bunch of those populate my reflective look back at the best of 2001.
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10TH AND FINAL EDITION: UPDATED SEPTEMBER 11, 2021-- With the 20-year anniversary, I’m closing this column after ten years of annual updates. It’s been an fascinating pleasure and respectful honor to update and maintain this compendium for a decade. NEVER FORGET!
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Despite the overall crappiness of this year, 2020 has been the 10th anniversary of this website Every Movie Has a Lesson. I didn’t start this endeavor until May of 2010 and, when the end of the year rolled around, I didn’t have a complete “sample size” or body of work, so to speak, to write a proper “10 Best” list. Missing that chance has always bothered the completist in me. I’ve been meaning to fix that and this little anniversary seemed like the right time, especially after charting a “best of the decade” list a year ago at the close of the 10s. So, turning back the clock a decade, here are my “10 Best Films of 2010.”
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