Posts in 2 STARS
MOVIE REVIEW: The Call of the Wild

Those who have read Jack London’s 117-year-old short novel The Call of the Wild know the truth of its content. Continuously mushing through a gauntlet of abuse and arduous conditions, the story of Buck is not a cuddly one fit for a bedtime story or fireside chat. Any uplifting spirit present does not swell like your typical dog story. The spectre of a truly violent world is inescapable. Each film adaptation over the many decades, from Clark Gable and Charlton Heston to Snoopy and anime, has made their attempt to soften what cannot entirely be softened. This year’s Disney-acquired 20th Century Studios take from animation veteran Chris Sanders, producer James Mangold, and star Harrison Ford adds to that repetitive history of unremarkable failures.

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MOVIE REVIEW: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)

Yowzers, that’s one long subtitle. What an interesting choice of terms too. There’s emancipation signaling “the act of being freed.”  And then you have fantabulous as its adjective slinging its slang of “remarkably good.” That extra announcement goes from silly to proper in consecutive words. When it comes to the movie being sold, ahem, excuse me, presented, proper is nowhere to be found when the silly is everywhere.  There is certainly fun to be had, but to shoot to fantabulous is going to count as overselling and the liberation most desired will be to escape this fever dream.

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REWIND REVIEW: Where'd You Go, Bernadette

Anyone who seeks to own this version of The Lion King is doing so with a “how did they do that?” curiosity. The technical brilliance is its biggest selling point. That interest is answered very well by this disc release. Unlike its Pixar and Marvel offerings, Disney compiled a legitimate look into this re-imaginings wholly revolutionary bells and whistles. This movie will look gorgeous on your high-end television at home.

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REWIND REVIEW: The Lion King

Anyone who seeks to own this version of The Lion King is doing so with a “how did they do that?” curiosity. The technical brilliance is its biggest selling point. That interest is answered very well by this disc release. Unlike its Pixar and Marvel offerings, Disney compiled a legitimate look into this re-imaginings wholly revolutionary bells and whistles. This movie will look gorgeous on your high-end television at home.

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MOVIE REVIEW: The Lighthouse

Nothing about this place, its natural topography or its man-made constructs, looks, sounds, or feels comely. The disquiet is palpable. All the atmosphere is there in Robert Egger’s torturous and pin-pricking thriller. The unfortunate struggle is that the suspense ends there. There is not enough compelling story, mystery, or perversion to fill or overwhelm this eerie environment. All of the portending, however attuned it is to its sense of art, registers as pretentious.

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MOVIE REVIEW: Gemini Man

Ang Lee’s new actioner Gemini Man is the cinematic embodiment of the figure of speech “chasing your tail.” A reminder from The Free Dictionary, defines that idiom as “to take action that is ineffectual and does not lead to progress” and “refers to how a dog can exhaust itself by chasing its own tail.” Boy, is that ever this movie. You have a multiple Academy Award-winning filmmaker chasing a technological benchmark that the industry cannot match. And you have a lead actor exhausting himself (and us) literally, instead of just figuratively, chasing his own tail.

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REWIND REVIEW: Toy Story 4

I should rename this section from “Late Homework Excuse” to “Inciting a School Riot” for my participation with the June release of Toy Story 4. I saw the film early for press, covered a fun family event at Navy Pier, and was very unimpressed by the final product. My review was one of the initial wave of four that broke the Rotten Tomatoes perfect 100% Tomatometer score for the movie. The trolling comments and death threats followed and I wrote about that experience. I didn’t want to be that guy, but I just couldn’t call this sequel worthwhile trying to follow the near-perfection of Toy Story 3.

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MOVIE REVIEW: The Goldfinch

Normally, the book vs. movie argument centers around missed opportunities. The majority lament becomes about the necessary condensing and trimming executed by writers and filmmakers that shaves too much of the nuanced essence from the sprawling story of the written page. With The Goldfinch, a different effect occurs. Given a longer running time than most movies already and all the patience in the world, any additions of extra depth and detail to the film adaptation would not help. What is already present is bloated, sluggish, and ineffectual. That’s an odd circumstance to say the least. Talk about a movie that should have stayed a book.

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REWIND REVIEW: Aladdin

All the desired diversity in the world paled to who could possibly follow the late Robin Williams? The Genie is the ticket to more than just wishes when it comes to this reboot’s success. That laborious task was given to Will Smith. Folks, he is a hot, baking sun of swagger! Will has not been this loose and free since Men in Black 3 seven years ago. Aladdin reminds us how much of a consummate showman the 50-year-old is and always has been. Will has a style, energy, and stage presence all his own, and he saves this entire movie from sandy ruin.

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MOVIE REVIEW: The Red Sea Diving Resort

Ari likes define the risky propositions in this movie as having one of these two outcome feelings. Sadly, the movie itself wobbles between the same. Entertainment comes easy in this Netflix-backed programmer and yet with consequently little attention paid to the predominantly off-screen annihilation of an ethnic group. Reality like that makes the glee hard to take. We live in an era where we can do better than solely bravura. Good filmmakers and creative powers can aim for challenging movies that address vital history and still entertain.

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MOVIE REVIEW: Toy Story 4

For each movie or chapter at hand, one has to consider if there is a worthwhile story to tell, one that can justify this new effort being a true necessity.  The key word there is worthwhile.  To more specifically judge a sequel in that regard, one has to look where it came from and where it is going.  Toy Story 4 indeed attempts to advance characters and chooses trajectories, but then look backward and forward and ask about value and placement.  Despite the immense talent shining from the recording studio and the animation workshop, the traits and choices of Toy Story 4 lack being worthwhile.

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MOVIE REVIEW: Men in Black: International

One thing you cannot deny either Tessa Thompson or Chris Hemsworth is personal chemistry. Their magnetism and appeal are automatic, especially when combined together. We’ve seen Thor: Ragnarok and their work in other places. However, that’s not always enough. The material has to have chemistry too to allow the starry elements to combust. This tangential revival doesn’t have it. Tessa and Chris might glow like radium, but Men in Black: International is an inert gas, fleeting and faint.

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