For their 152nd episode, two discerning film critics, two try-hard dads, and two directorial teachers, Will Johnson and Don Shanahan, step out for the first of two special editorial episodes about topics relating to the state of cinema. On this show, our two guys talk about auteur backlash happening to supposedly maniacal directors and filmmakers who are said to be trying too hard. They look at what that notion means and where such effort is appropriate and where it is, on the other hand, missing in this day and age.
Read MoreFor their 151st episode, two muy thai film critics, two buns-baring dads, and two bouncer teachers, Will Johnson and Don Shanahan, have set the table to talk about Doug Liman's 2024 remake of Road House, starring Jake Gyllenhaal. While comparisons are there to be made between this one and Patrick Swayze's from 1989, we've got two guys who know how to compartmentalize their film history. They know full well no remake erases an original. The fun part is we now get multiplied fun.
Read MoreStarting out with online casino gaming is exciting, but for newcomers, understanding the intricacies of payment methods can be overwhelming. Therefore it is important to have prior knowledge about the various payment methods. From traditional methods like credit cards and bank transfers to modern solutions like e-wallets and cryptocurrencies such as Bitcoin, players have many payment methods to choose from.
Read MoreThe sentiment and pattern of the letters morphs from targeted malice to liberated venting, and begins to float as both. And, it’s all likely coming from marginalized female citizens who never have the stump or permissive opportunity to speak their mind or exorcize their frustrations in an honest way, let alone a shamelessly crude one. Wicked Little Letters develops enough expressive clout with its mystery to be more about the voices being found than the rumors being circulated.
Read MoreFor their 149th episode, two space pirate film critics, two mutated dads, and two earthbound teachers, Will Johnson and Don Shanahan, continue piloting through the sequel star system of their Alien series rewatch with an episode on 1997's Alien: Resurrection, bringing a cloned Sigourney Weaver two centuries into the future. Is the movie subversive, kinky, weird, fun, all of the above, or none of the above. This one is high on Will's ranks while Don is pondering.
Read MoreRiddle of Fire introduces audiences to the fictional town of Ribbon, Wyoming. As the camera stays wide to soak in the idyllic Utah vistas, captions styled in a Tolkien-esque font speak of faery castles, swords, knights, squires, and kindred spirits. Those thematically chosen words and the mystical synth musical score by Hole Dweller enunciate that we’re in for a sinuous fairy tale of a wholly different sort because of who, thanks to the W. C. Fields quote, is presented as the heroes of this fable.
Read MoreFor their 149th episode, two space pirate film critics, two mutated dads, and two earthbound teachers, Will Johnson and Don Shanahan, continue piloting through the sequel star system of their Alien series rewatch with an episode on 1997's Alien: Resurrection, bringing a cloned Sigourney Weaver two centuries into the future. Is the movie subversive, kinky, weird, fun, all of the above, or none of the above. This one is high on Will's ranks while Don is pondering.
Read MoreFor better or worse, Free Time operates like an audience tolerance test on the topic of the Millennial lifestyle. Little events and narrative turns occur that viewers will either identify with to a certain degree or downright disdain. The examinee for this inquest is Drew, played by emerging writer/actor Drew Burgess (who also headlines the indie Dad & Step-Dad this month), and the first exercise of this filmic inquest occurs in the opening five minutes of Free Time.
Read MoreFor their 148th episode, two shaved film critics, two preaching dads, and two imprisoned teachers, Will Johnson and Don Shanahan, returned to the sequel galaxy of their Alien series rewatch with an episode on 1992's hotly contested and often-panned Alien 3 directed by a baby David Fincher. Has the movie improved with time? The two share a quizzical discussion on what is normally ranked as the lowest or worst film of the series. You may be surprised how they feel.
Read MoreWith a different approach, One Life could have very easily veered into horn-tooting hero worship or some kind of indulgent salve applied to reduce the horrors of the Holocaust. That’s not the case with the work of director James Hawes and screenwriters Lucinda Coxon and Nick Drake to depict this history with little to no extra flamboyance. The film’s style and attitude matches the central figure who never put the glory first. The history speaks for itself and needs no assistance for heft.
Read MoreFor their 147th episode, two hardware-lifting film critics, two prognosticating dads, and two accepting teachers, Will Johnson and Don Shanahan, preview the 96th Academy Awards! The Blonde in Front, Cati Glidewell, returns for the podcast's second preview show of Oscar picks and predictions. This week, our three combined critics evaluate Best Director, the two screenplay categories, the four acting categories, and Best Picture. Don't place your Oscar pool bets without our picks.
Read MoreFor their 146th episode, two golden film critics, two speculative dads, and two red carpet teachers, Will Johnson and Don Shanahan, are ready for the 96th annual Academy Awards! As with every year, the only way for our guys to break this down is to bring in a real-life golden statuette. Cati Glidewell of The Blonde in Front is back for two episodes to evaluate each and every award. This week, the three cover the under-the-title artistic and technical categories, picking snubs, dark horses, winners, and favorites
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