Neurotically charming, yet misshapen in many ways, Where’d You Go, Bernadette is wholly unique from the Texan and Hollywood outsider. The movie has the equal ability to disarm and disgust depending on your perspective or experience with the Maria Semple source material. Non-readers will float with the staccato blustering and the Antarctic kayak currents of fancy. Ardent fans will wonder where all the scintillating mystery went that gave merit to all the haphazard happenings.
Read MoreAs simple and well-tuned as it is, Brian Banks absolutely works as a fitting and crowd-pleasing source engaging inspiration. This is director Tom Shadyac’s first feature film in 17 years and rare foray into serious fare after a career built as the man who launched Jim Carrey to stardom. There is a steady maturity of craft and tone here that suits this kind of story without heavy melodrama. The sports movie cliches are absent to examine the life of a person before the redemptive fame. The result is a timely film of worthy importance.
Read MoreNow imagine you’re the priest in this exchange. You have to both witness and share this wrenching process and ordeal repeatedly, with every visitor on every occasion, and remain unflappable and restrained in doing so. Who has it harder now? Breaking the fourth wall and spilling waterfalls of internal monologue, Surviving Confession pokes and prods the person who is supposed to be the pillar of strength. The film debuted July 30th on VOD platforms.
Read MoreThrough the niches and comely library aisles of off-label modest independent cinema, talent can elevate material. Sometimes the material isn’t the best at this level. A high class performer can come in and buoyantly lift an effort that wouldn’t have a chance to register or resonate with less. Little movies like that are easy to root for and even better to discover and appreciate. Richard Dreyfus bringing his talented capacity to Astronaut is exactly one of those exemplars.
Read MoreSlapping a “once upon a time…” to the title of his ninth film, Tarantino makes that label and its yarn of unlikelihood, misdirection, and heightened allure an upfront certainty. Following that classical starter with his chosen target of story setting, the director’s usual approach of homage becomes readily apparent. Making so many fairy tales with a fat creative license to revise whatever he wants, fancy, zeal, and style are never Quentin Tarantino’s problems. The tightness of his brand of chatty and meandering excessiveness is usually the hangup. This movie has some of the best of the former and still plenty of the latter for a dippy mix of sunny sauntering and tiresome puzzlement.
Read MoreRestraint is not a common artistic or narrative characteristic in revenge films nowadays. We live in an explicit world where the louder and more outlandish outpourings of violence are what grab attention and audiences. The stern and sullen are taken as dull and tedious. Like its title, Into the Ashes resides in the crackling smolder instead of the bright flames. There is plenty of heat to burn and brand from that calmer temperature of cinematic coals. The movie debuts on July 19th in limited theatrical release and VOD outlets.
Read MoreJon Favreau’s The Lion King stands as the biggest test to all of that progress and the attached criticism because of how little beyond the pristinely pixelated exterior is actually “reimagined.” So incredibly and, dare I say, unnecessarily much is nearly a shot-for-shot duplication of Disney’s most popular and most successful film of their Renaissance era. To go back to Dumbo, duplicated enjoyment may have been the goal, but that makes one question a tangible purpose for truly needing any such update. Luckily, the shininess, so to speak, is an undeniably impressive redeeming feature to a lack of implemented originality.
Read MoreFar rarer than they used to be twenty-plus years ago, easy and breezy flicks like Always Be My Maybe from Netflix remind us the traditional romantic comedy is alive and well. Best of all, the nostalgia present in today’s artists from growing up during that 1990s heyday are now making their own movies with their own lens. Smash hit stand-up comedienne Ali Wong and the ever-affable Randall Park of Fresh Off the Boat fame are clearly two of those people. Affectionately blending their own societal zest from their place in America’s Melting Pot, Wong and Park bring new voices as a genius comic pairing. Much of the method of Always Be My Maybe may be routine, but the resulting charm is unfailingly welcome.
Read MoreWar set to a rate-of-fire beat of melee lead and breaking bones is indeed what you’re getting with John Wick: Chapter 3 — Parabellum. Springboarding from its increasing success, one could say the movie stylishly assaults your senses with its own creative focus, commitment, and will behind the camera to match the stoic Keanu Reeves protagonist in front if it. Swelling enough from its redundancies, this symphony of gunpowder and gumption will satiate your summer thrills just fine.
Read MorePenguins represents the combined work of over a dozen cinematographers documenting the miraculous and treacherous annual life cycle of the Adelie penguins of Antarctica. The two directors sought to give this circle of life character. That’s where the affable Ed Helms comes in as a narrator. He provides color commentary as “Steve,” one such Adelie penguin who is a first-time father for this annual journey. High and low, dry and wet, close and far, and through every blizzard in between, Penguins presents this apprehensive newbie with education and entertainment combined together.
Read MoreThe opening scene of filmmaker Yuri Rutman’s spare yet sizzling short film tantalizingly begs many questions. What kind of couple are we witnessing? What triggers provoke this passion? A montage follows to show that this wild escapade is not the first time the hearts and loins of these two people have been electrified around the rails of public transportation. This is Jake and Emma, and they are tragically intoxicated by two different things at the expense of each other.
Read MoreToo often nowadays in our headline-seeking and attention-starved society, that first definition of “miracle” is stretched and overused to the point of hyperbole, right there next to other words like “epic” and “masterpiece.” There are places where effectiveness has been lost. That second definition calling for divine intervention is a doozy. It calls for higher piety. Well, good believers love divine challenges and so does this Breakthrough starring Chrissy Metz.
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