Posts in 3 STARS
MOVIE REVIEW: Endless

For wishful reasons beyond the exploitative ones, people want to believe in ghosts. They would be alright with even the creepiest voyeur version or novelty of that to be real. Why? Because the existence of ghosts would mean there’s something else out there after our inevitable deaths. A tangible afterlife creates massive spiritual implications that stir so many. Molding their fictional clay, movies love plucking that particular heartstring, and the new streaming film Endless follows that convention.

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MOVIE REVIEW: Made in Italy

Actors are often asked by the many curious people fascinated by their work where they find the inspirations for the characters they play. Dropped by talk show hosts and adoring fans alike, it’s a common question, but a welcome open-ended one. The answers are almost always a fascinating blend of intentional craftsmanship and revealed individual quirks. If you know the personal history of Liam Neeson away from his tough and towering screen personas, you will know he, and his son Micheal Richardson, did not have to dig far for their characters in Made in Italy.

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MOVIE REVIEW: Summerland

Hospitality jokes aside, manners come into play. The wrinkle is when pleasing homeliness mixes with the negative connotation of hospitality. Summerland, the feature film directorial debut of playwright Jessica Swale, emanates pleasantry around a central character who is the rude opposite. No matter how uncouth or ill-tempered Gemma Arterton’s hermetic author Alice behaves, an honorable heart shines through. That’s the narrative oil and water of this nostalgic film.

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MOVIE REVIEW: The Old Guard

Charlize would be the one to tell Queen to take their romantic sweetness and shove it with harshness. That tone and timbre works just fine for the Academy Award winner who has been cementing this attitudinal career niche for the better part of a decade. Based on Greg Rucka’s 2017 Image Comics graphic novel featuring the art of Leandro Fernandez, The Old Guard combines its own brew of created legends intersecting modern settings and compulsions. Like its lead, The Old Guard has a toughness completely devoid of anything trite. The narrative screws might not be the tightest, but its aim is deadly enough to draw you in.

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MOVIE REVIEW: Irresistible

Jon Stewart’s new film Irresistible holds a broad and powerful mirror up to the lies and guises of America’s election economy. Right when you think an outspoken personality like the beloved former host of The Daily Show is going to shout from his now-taller cinematic pontiff a chosen side or favorite, he remarkably doesn’t. This is an even-handed farce of finger-pointing where both political sides have dirty hands and the media in the middle is wholly and equally complicit. Stewart unleashes this cringing astonishment in a surprising movie that pulls your leg and also very rug right out from underneath you.

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MOVIE REVIEW: The Short History of the Long Road

The title of The Short History of the Long Road is plain, simple, and true. This is but a small jaunt of a bigger journey for this broken family. The flashbacks are just that: flashed for mere seconds. They show enough to throb the heart and that’s plenty. Any extended testimonials and cherished memories come out in small talk and stay small talk without a grand speech in earshot. What’s personal is personal and not for crowds. Big and lofty is the sky above it, not the grounded individual. Once again, that’s the wavelength: plain, simple, and true. Those are fitting and admirable qualities.

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SHORT FILM REVIEW: Cherish

For swift storytelling in the artistic medium of short films, every word counts. The time to both make an impression and speak the desired narrative is scarce. One must say a great deal with little. To that end, go ahead and count body language as double or even triple the value to dialogue. Cherish, the new Chicago-set short film from the Splatter Brothers filmmaking team of Lionel Chapman and Ira Childs earns strong merit from both the said and unsaid on a multitude of levels.

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MOVIE REVIEW: Becky

The tale-of-the-tape of Becky is as preposterous as the promised twisted violence that follows. In one corner, you have the middle-aged comedian Kevin James taking a dare for his first “dramatic role” as the escaped Neo-Nazi criminal Dominick. He’s hulking, tatted-up, bearded, and armed with stern rhetoric and an itchy trigger finger. In the other corner, you have the titular Millennial 13-year-old played by Lulu Wilson of The Haunting of Hill House. She’s angry, mournful over the passing of her mother, and, due to the home invasion circumstances than transpire, motivated for every hell-raising level of vindication possible. Before Bruce Buffer screams into a microphone, who do you got in this cutthroat clash that hits VOD June 5th?

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MOVIE REVIEW: The Lovebirds

Here’s the rub though. For “hi-jinks ensue” to work and live up to its promise, you need strong and effective events to come before and after when that phrase is planted. Have a weak setup and the absurdity of hi-jinks after can feel like a jolting improvement or tail-spinning crash. Have a great setup and the hi-jinks that follow can either evolve or devolve the auspicious start. This “one wild night” romp of The Lovebirds has about half of each measure in that balance.

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MOVIE REVIEW: Capone

That name brings forth a gusher of overplayed stereotypes and caricatures. If you think you’re going to see the decadence of the historical figure’s prime, you’ve come to the wrong movie. If you think you’re going to see another Ben Gazzara or Bob De Niro galavanting as the king of his own court, you’ve come to the wrong movie. If anything, Josh Trank intentionally and subversively pushes back against the romanticized urban legend of “Scarface,” “Big Al,” “Big Boy,” “Snorky,” and “Public Enemy No. 1.”

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MOVIE REVIEW: Arkansas

Let’s just say it. The subgenre of redneck crime films is a messy place. The “black hat” is almost always a crazy SOB engaged with a less crazy SOV “white hat.” Slickness is replaced by stains. Dazzle is replaced by dinge. Calling any of them “sagas” is too much credit and heft. Unless you’re the Coen brothers (and even if you’re them too), spicing up this slow-and-low movie barbecue takes some of that absent slickness and dazzle injected into either the filmmaking or storytelling departments, or both.

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MOVIE REVIEW: All Day and a Night

Reaching those bold heights of bracing social commentary, it is fair and complimentary to call Joe Robert Cole’s movie more important than entertaining. Mark that goal as accomplished. The Black Panther co-writer uses not a drop of sugarcoating in his first directorial effort in nine years. The brutality against the hearts in All Day and a Night hurts more than harm subjected to any flesh. In that regard, it is also fair to question the place and mentality of this movie’s bravery during a current civil climate where negative racial examples do not need more perpetuation. That is an uphill battle without a welcoming core to embrace.

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