Posts in 3 STARS
MOVIE REVIEW: If Not Now, When?

The majority of movie audiences prefer their happy endings. Too often, screenplays are written with an exorbitant magic eraser, one stronger than anything made by Mr. Clean, to make sure any unsightly tragic blemishes are wiped clean in time for the credits when people go home. Savvy moviegoers know real-life drama isn’t that easy to erase and true happiness is far more difficult to earn, rather than luck into. Actress turned filmmaker Tamara Bass shows that she is someone who understands that reality. On that account, her film If Not Now, When? is an uncommon movie that tempers the illusions of automatic bliss.

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MOVIE REVIEW: Shadow in the Cloud

At the tipping point in Shadow in the Cloud when action becomes necessary to confront mounting threats, it is a lone woman surrounded by chauvinistic men that doubtlessly steps up above all others. Pushed to fight or flight, she’s going nowhere and her battle cries are “You’ll see what I’m capable of!” and “You don’t understand how far I will go!” Fellas, be afraid. Don’t dare cross a determined woman, no matter their size, age, or profession. They have outright toughness most cannot fathom.

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MOVIE REVIEW: Wonder Woman 1984

Too much of this sequel’s accomplishments stop at that last prepositional phrase of “for the main character.” Everything crafted for Gal Gadot’s heroics works wonderfully to strengthen her and the character’s prominence. Good graces and affections are rightfully earned. Maybe it is enough of a victory that Wonder Woman is not the problem of a Wonder Woman movie. That said, the material and surroundings she is given do her very little favors.

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MOVIE REVIEW: Wander Darkly

Many existential movies that kick around the questions of life, death, and afterlife dangle the idea of revision. From It’s a Wonderful Life to The Tree of Life, characters alive, dead, or somewhere in-between are presented visions or exercises of how their lives could have been different with wholesale changes or tangential opportunities. Those musings often steer them to accepting their life as it was, pitfalls and all. The new drama Wander Darkly from Tara Miele working the festival circuit goes there not with an eraser, but with a red pen instead. Channeling my school teacher day job, Wander Darkly, in an interesting way, is about proofreading life more than revising it.

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MOVIE REVIEW: All My Life

This look and moment, which gets reminisced later as part of wedding vows, is the beginning of a very light and lovely shared journey in All My Life. From this opener onward, the two stars have each other, and us, hooked. Based on a touching true story of temporary time impeding on a forever kind of love, this approachable and endearing romance stockpiles the smiles to brighten all the trials and tribulations that follow.

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MOVIE REVIEW: Luxor

There’s another great line in Luxor that says this is “a place that whispers to you if you listen.” It’s an effect threaded into the soundscape of the film by sound designer Frédéric Le Louet (The Informer) wafting in and out of the score from documentary composer Nascuy Linares (Embrace of the Serpent). The tourists around Hana hear tales of reincarnation and the passionate myths of polytheistic demigods. Whether she believes them or not does not compare to where her conflicted self esteem hangs precariously during this short holiday.

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MOVIE REVIEW: Nomadland

That said, this odyssey has highs and lows for Fern living among the saguaros, grasslands, or rocks across the American West. No matter how much she has learned to take care of herself, painful solitude creeps in. Self-reliance only fulfills so much enterprising spirit. Courage can only stave off so many endangering risks faced by a woman her age alone. In many ways, Chloe Zhao’s film, her follow-up to The Rider before going Marvel with The Eternals, has the same range of stamina and lethargy. Unvarnished prestige too has its limits.

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MOVIE REVIEW: Fatman

You know what? I hear you. How can Fatman remotely be good? You watch that grim trailer that looks like something intentionally fake right out of Saturday Night Live’s penchant for such parody and shake your head. You consider the violent premise and think Fatman is going to all be schlocky pulp. And then, what to my wondering eyes did appear, this flick turned into something wholly unexpected, yet still with the meaty side of the lurid. Ring those f’n sleigh bells!

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MOVIE REVIEW: Freaky

If you picture Freaky’s premise before you and say “I can’t even,” just like a lazy Millennial, do a turnaround. Retort, as another future victim in the movie does, with “not with that attitude.” Say you “can” or “fo’ sho’” or whatever the whipper-snappers are saying these days to agree. Scripted by Christopher Landon (the two Happy Death Day movies) and Bordertown writer Michael Kennedy, this mashup of body swap comedy cliches and high school horror tropes turned out to be an artery-bursting romp.

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MOVIE REVIEW: Proxima

The dramatic heartstrings of Proxima lie in the realization and reflection of what one will miss from being away and isolated for an extended period of time. Once again, multiple the usual working parent woes. The emotional pain from the anticipation of departure outweighs the excitement. As a viewer, no matter man or woman, you cannot help but ask yourself if you could do what Sarah Loreau is attempting. Could you uncling from your own children? Could you break promises? Like her, you will wrestle your optimism of adventure and entertain your feelings and fears of what and who you would miss the most. That’s a worthy and powerful tale to witness.

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MOVIE REVIEW: Rebecca

The expression “hard act to follow” rings like a peal of bells both centrally and superficially when it comes to the new adaptation of Rebecca premiering on Netflix. Boy, that’s the movie and its new bride protagonist to a T. Matching the saying’s highest definition and less the vaudevillian one, Ben Wheatley’s film has to follow “something so exemplary that it overshadows anything that follows.” Even after 80 years, how does one follow the success and legacy of Alfred Hitchcock’s only Best Picture-winning film? The answer is easy. You can’t and you don’t. You stick to the source material and make your film your way.

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GUEST CRITIC #39: Mudbound

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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