With full support and participation of the original book author and playwright Steven Levenson, Dear Evan Hansen is Stephen Chbosky’s movie and I, for one, refuse to argue with that. Could the film version have been a star-making chance to pass the proverbial torch to another, younger performer? Sure, but when the original is so good and capable, why take away that opportunity? What did you want Chbosky to do? Digitally de-age Ben Platt digitally like Martin Scorsese? Come on.
Read MoreWebMD will tell you that selective listening involves “consciously or unconsciously choosing to listen to what is relevant to you and ignore what isn’t.” Marinate on that for a moment, especially the second part, and then apply that notion to the talking heads and one-track minds of the spiritually devout you see leading cameras and congregations of people with loose wallets and even looser gullibility. That’s the misplaced morality at the center of Michael Showalters’ The Eyes of Tammy Faye.
Read MoreSlotted with a self-important story to tell that takes place after the events of 2016’s Captain America: Civil War, this prequel arrives with a better-late-than-never party invitation of hype. Boasting some of the best melee work in a Marvel film, Black Widow belongs on the big screen and displays gratifying action sequences that rightfully highlight powerful females worthy of the spotlight. It also belonged in front of our eyes five years ago and not now. There is an unshakable magnitude of foregone conclusions that curtail the upper tier of potential excitement.
Read MoreEdge of the World chronicles the story of James Brooke’s emergence as the first White Rajah of Sarawak on the Malaysian island of Borneo during the middle of the 19th century. The adoptive leader became the inspiration template for authors Rudyard Kipling and Joseph Conrad and their respective far-off adventure stories of The Man Who Would Be King and Lord Jim.
Read MoreCruella tosses that “psycho” term and label around flippantly, even with its successful motivation to be interesting and darker than the usual live-action works from the Mouse House. It offers a villainess to believe in, but what does that say to audiences? Swinging for sympathy towards the amoral could have amounted to the same mistake as Maleficent seven years ago. Luckily, the conniptions and confrontations of “Emma vs. Emma” are damn fun. There’s a welcome place to relish in their wickedness.
Read MoreThe sliding scale severity of the answers to those questions creates the embarrassing memory and the “have I got a story for you” yarn we tell your friends and family later of the past predicament. This simple premise can have any number of interesting connective circumstances, from nightmarish to adventurous. With a sunny glow of lifted spirits and healed flaws, the batch of life’s little inconveniences dealt to Brian Tyree Henry’s Charles Young enchant a bevy of wry smiles in The Outside Story.
Read MoreThe genre of disaster movies loves to take the well-worn “Murphy’s Law” of “anything that can go wrong will go wrong" as pseudo-logical permission to get excessively creative with their hazards and menaces. There’s most certainly spectacle to be generated but also overindulgence. Just ask Roland Emmerich. The new Norwegian dramatic thriller The Tunnel from director Pål Øie is somewhere wisely in between.
Read MoreThe edge of the comedic machete harvesting all the low-hanging fruit planted by the six writers sharing story and screenwriter credit on this sequel is regrettably dulled from the R-rated coarseness of 1988 and its different time and temperament. But zingers still zing, thanks to the likable performers and characters. When they’re having fun, we’re having fun. To call back again to Jackie Wilson, the silly glee of this movie evokes the refrained lyric of “Oh what a feeling to be loved!” That’s all this movie is trying to do and that’s just fine.
Read MoreTo borrow a term from the great Stan Lee, there are casual comic book fans and then there are “true believers.” The latter never miss an issue of their favorites and, even greater, walk through life inspired by the heroic pillars written in and drawn through those page-turning panels. In the new Disney+ film Flora & Ulysses, we are graced by one of those true believers in a film that has its cape hung up out of sight, tights put away in drawers, and heart smack dab in the right place. The film opens on Disney+ on February 19th.
Read MoreThe Mauritanian presents a compelling case in the opposite direction to all those oorah roars. Shedding cinematic light on a staunch case of injustice tangential to those fateful 2001 events, this film has the unenviable task of proving its story’s importance in spite of the egregious systemic flaws it chronicles and exposes. You don’t have to go as far back as slavery or colonization in national history to know how most triumphantly-inflated Americans don’t want their noses rubbed in their heinous mistakes. The treatment of Mohamedou Ould Salahi is one of them.
Read MoreA different movie would emphasize a caddish villain and layer the drama on far too thick for some kind of extra emphasis meant to help a big star try and prove they can shun glamour and act next to a heavy. Justin Timberlake accounts himself with precisely the admirable effort matching his character. Dark places bring out a true strength in the actor instead of a bad-boy edge. Such credibility and candor build honesty rather than showy magic.
Read MoreShout-outs are cute tributes that are morsel-sized by design, which is what makes the short film medium an ideal spot to play with them as a storytelling engine. Husband and wife filmmakers Charlotte Barrett and Sean Fallon (A Bad Feeling/The Phantom Menace) use The Shout Out to spin the impact, boundaries of length, and that desired purpose of positivity that comes with those quick tributes.
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