Combining Cumming’s lifting presence, snippets of archival TV coverage, and the animated sequences, My Old School has beguiling charm mirroring the fascinating central figure and the wry smiles on the faces of the Bearsden alumni telling their yarns. Viewers will absorb this tall tale and ask how much fraudulence is either acceptable or too much in a true-life “fake it until you make it” story. There is an irreverent delight to be had measuring that scale person-to-person and case-by-case.
Read MoreThe drama of Both Sides of the Blade teeters on the prompted conversations of control mutually requested by Sara and Jean. Equal and patient communication among spouses is a must. It puts internal monologues on the record before the wrong ideas fester. Talk clears the air, even when truths are shared and lies are dropped. In Both Sides of the Blade, the line of “no need to worry” is a repeated conversation killer that dooms Sara and Jean. When those alarming thoughts are present, that’s precisely the time for more talk, not less.
Read MoreProcessing such delirium for 159 minutes from what could have been 240, Elvis is an opus of exhaustion. Luhrmann’s fever dream veers from campfire fable to therapy session and is as gaudy as its subject. You don’t just succumb to the Aussie filmmaker’s trademark visual and aural excessiveness. You submit to it, because, goodness gracious, it’s Elvis Aaron Presley and the stature of his legend on this display is indomitable.
Read MoreThat aged appreciation and fanboy zest comes through in this movie as well as their brazen spirit. Rather than play out an easy reunion with some massive globe-trotting caper, screenwriters Dan Gregor and Doug Mand stick to Hollywood and the wedge of dichotomy that split our two title characters and kept them from talking to each other for three decades. Every nostalgic note or easy joke is cleverly wrapped with a candy-coated shell of self-awareness and a lingering implication of something bigger afoot that may not be as sweet as the outside.
Read MoreThrough all of these little shocks to the system, nostalgia trips, and learning leaps is Rebel Wilson’s bull in a China shop. Much like Ryan Reynolds, Rebel Wilson is at her best playing Rebel Wilson. She has his commitment-to-the bit where her saucy signature personality and quick wit always follow her physical comedic bravery. She tells it like it is and we love it. Like her character, Rebel herself is more beautiful, smart, and funny that we give her full credit for.
Read MoreTo its credit and nicely lifted by music by Beach House and a peppy soundtrack, Along for the Ride is a positive story for connections built on trust and friendship first and attraction second. It is not just some party movie of hot bodies wooing each other with little to no consequences. Love and identity are the center and they don’t come easy. Nothing is automatic or preachy for the characters. Alvarez has created a lush space safe for the expression and healing of personal emotions heavier than the usual wants and needs of youth.
Read MoreThat Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.
Read MoreGood movie fans know horror movies come in all shapes, sizes, and, most importantly, descriptors. The newest mini-odyssey from the Chicago-based Splatter Brothers filmmaking team, Darcy Collis, lives up to and stamps those three possible measurements. The shape is something reality-based. The size is that of a short film. Best of all, the descriptor of choice for this writer out of all the possibilities is “chilling.”
Read MoreMark Wahlberg, a notable devout and practicing Catholic, considers Father Stu a bona fide “passion project.” The soon-to-be 51-year-old actor learned about the life of Father Stuart Long from two priests over lunch in 2016 and co-financed the film to existence. Sometimes when actors put their money where their mouth is and stake their reputation on a story they truly believe in, good things happen. This is one of those good things.
Read MoreMaybe Fresh’s exotic menu is not a good place for that “no thank you bite.” However, please, please, pretty please with sugar on top, only apply that very fair dismissal to the controversial cuisine on display and not the actual movie. You would be missing a very interesting movie, one you might laugh at or become scared to death to experience. That sensation is worth its morsel of escapism.
Read MoreWhile Family Squares is respectfully dedicated to all those who have lost someone during this awful pandemic, Laing’s movie allows us some much-needed, profanity-laced laughs. Playing out a dramedy fitting and formed by our current plight, the movie can be seen as a future time capsule for our shared mini-era. Not all the tangents work or are worthwhile, but the salute to collective solidarity is there.
Read MoreThat exchange is one of few that typifies the giddy hospitality and the bizarre allure of Strawberry Mansion from the writing and directing team of Kentucker Audley and Albert Birney. The movie extends a coy and welcome hand to join its descent into weirdness while still spinning plenty of heady oddities to rattle cages of normal sensibilities. Go ahead and take this movie’s leap into the surreal. You may just like what you find.
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