To pull off holding court without reducing matters to the preening or showy variety, the performer must have screen presence. Deneuve, the ageless ingenue, “frigid femme fatale,” and “grandes dame” of French cinema, has wattage for a thousand cameras, even now in her mid-70s. With that stature, compelling shockwaves come at will. The acting awe within The Truth is that Deneuve’s prestige is matched moment-to-moment by Academy Award winner Juliette Binoche, a contemporary, if you will, every bit as powerful as the senior. Their pairing as an estranged mother and daughter in the celebrity world writes cinematic scripture.
Read MoreWhen no flowery language is flowing to fill our ears, another ambiance is necessary. The sweep of Felipe Tellez’s musical score is astounding. His arrangements were performed by the Budapest Air Orchestra and their lovely strings keep Farewell Waltz soaring with the remembrance and regret of the narrative. One would not readily imagine a 10-minute short film could reach heartstrings so assuredly and effectively, yet this throwback from Levy does so with lingering beauty above films ten times its length.
Read MoreThere’s something to be said for a film that can constantly exude tautness. Some films will have stress and pressure, but not convey those traits with true tension. An element or two will have general solidity, but not have legitimate, durable steadiness. Like every battened down hatch on a warship cutting through its rough seas, the thrilling course of the new Apple+ Tom Hanks vehicle Greyhound throbs with tightness. Stutter, stumble or hesitate and a punctuating torpedo detonates your lack of focus.
Read MoreDocumentaries often carry a sharp specificity by design. The backers and filmmakers have zeroed in on a pointed topic or singular issue they feel needs a spotlight or, even stronger, a public wake up call. Sometimes, they downright demand it. The challenge of an exemplary documentary is to convince next to its natural aim to inform. Their demands need worth, especially if the subject is too narrow to the point that it is inconsequential. That’s where the documentary No Small Matter lives up to its title. The demand matches the worth.
Read MoreThere’s just something about “bottle movies” that elevate tension a step or two better than films grander, louder, or flashier sometimes. Their draw comes from the mental mystery of the given confinements, and you don’t have to be a claustrophobe to feel that anxiety. It’s about the imagined suggestions one makes to visualize what they cannot see beyond the setting’s boundaries. Oftentimes our minds paint it worse than it actually is, and that is more than enough to get the pulse rate going oh so very well. The new Amazon streaming film 7500 joins those ranks as a choice little carafe of collywobbles.
Read MoreIn the same way this website touts “every movie has a lesson,” every movie also has its politics. Academy Award winner (damn, that sounds great to read) Spike Lee is never shy about his level of challenging civics, nor should he be. His movies are his earned and rightful rostrums. Stitched with the electrified barbed wire of echoed history, Da 5 Bloods is infused with warranted politics that make it more than its retirement adventure and war movie ingredients. With stern strength in this Netflix release, the rants of old men give way to the treatises of ghosts.
Read MoreGosh, that is such a smooth and stirring way to express something profound. Rarely veering to hardest of hard or the ugliest of ugly, there is much more of that homely wisdom to be had in Elfar Adalsteins’ debut feature film. Identifying the “rebels” from the “kind-hearted” is relatively easy. The challenges become to what degree agitation within the malcontent can be healed and where strength can develop next to grace in the kindly. End of Sentence is available on VOD from Gravitas Ventures and it is a worthy dramatic experience.
Read MoreMovies becoming timely is almost always an accident. They’re made months in advance and can never reliably predict the future they will enter when released. The right match of content and happenstance can elevate a film’s mystique, even that of a tiny little indie that normally wouldn’t carry much of one at all. The award-winning Working Man, filmed in and around Chicago last year, debuts on VOD services today to a sheltered public facing jobless claims that topped 30 million in two short quarantined months. The distinctive part about this movie is that it displays a sense of workplace fulfillment that would still work if that bellwether statistic was zero. Timeliness only makes it better.
Read MoreGranted, messy people and their messy lives make for messy stories, especially here in the medium of narrative film. Not everyone can hold their noses to other peoples’ messes on display. Their pity or empathy levels have limits. Tolerance comes from the talent and the trueness coming together for the given story. Filmmaker Drake Doremus presents another striking, bare, and brave movie in the form of Endings, Beginnings. If you have the capacity to wallow along, you will be impressed. Plenty won’t and that’s too bad.
Read MoreAdding more weight from the original movie’s message of finding internal happiness and not changing for others wouldn’t take much. With equal simplicity and symbolism, the felt of this dreamy universe for the sequel Trolls World Tour is upped to include heavy quilts, denim, leather, satin, velour, vinyl, and more. The multiplication of said textiles matches an appreciated boost in weightier themes. What is ready and primed to delight can also move body parts other than your hips and toes.
Read MoreWhen you take a gander at Grace VanderWaal’s title character in Stargirl, you probably don’t think “unassuming.” The loud outfit seems goudy. The ukulele on her back reeks of ostentatiousness. And, by golly, that rat on her shoulder screams straight-up weird. Miraculously and sweetly, director Julia Hart makes all of this boldness as unassuming as possible, free of arrogance or pretension. The modesty of Jerry Spinelli’s hit source novel is intact and invigorating on this Disney+ original.
Read MoreIn what has become a signature term and evolving metric for this writer, the “Pixar Punch” remains more undefeated than any boxer. It is the animation studio’s “uncanny ability to absolutely destroy our hearts with raw and simple emotionality in perfectly calculated amounts and moments.” On the surface, Onward is a silly quest movie for the tabletop gamer demo that has been cast into a March abyss instead of gleaming in Pixar’s annual mid-June tentpole throne. In actuality, this funnybone-slaying riot gives way to the kind of heart-rending climax that proves the Pixar Punch keeps manifesting itself in more and more unexpected places.
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