Posts in 5 STARS
MOVIE REVIEW: Marriage Story

There is an old adage used by married people, kind of passive-aggressive burn really, that says “you can’t tie your shoes without me.” In a pithy way, the saying speaks to the symbiotic relationship between the partners for even the smallest things. While it may not always come down to shoelaces, there is a given and even understood level of dependency in marriage. That is until such dependency becomes harmful. In one of the finest films ever on the matter of divorce, Noah Baumbach’s Marriage Story challenges the breakdowns of resiliency and vulnerability that push this painful process.

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MOVIE REVIEW: Little Women

The endearing brilliance of Little Women is earned in those quaint sways and movements as much as, if not more than, it is by its crests of high drama. With masterful leadership and bold thematic choices applied to well-worn ideals, Greta Gerwig continuously captures an uncanny vibrancy out of a literary setting that otherwise would be frozen in stagnant despair. Every fiber and morsel of this movie swells with this sense of spirit to embed radiance in resiliency.

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MOVIE REVIEW: Knives Out

In a film of perplexing puppetry like this, the most engrossing quality of Knives Out is character creation. Half of that strength happens on the scripted page where writer-director Rian Johnson has created a deplorable and decadent cobweb of villainy. The other half of that draw comes from the ingenuity of the assembled ensemble. This cluster of spidery characters could have been stock archetypes played by obvious actors. Instead, there’s nuance dripping like venom from thirsty fangs all over the performance stage of Johnson’s cinematic charade.

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MOVIE REVIEW: Jojo Rabbit

Those beautiful and gracious moments, slowed way down in between all the hustling hilarity in Jojo Rabbit, let you know exactly where the heart of this movie truly lies underneath the scathing satire. It is in the benevolence of helping people rather than warring with them. The titular young boy needs every ounce of such affection and the combat boots of Waititi’s movie are the clown shoes. Gusto meets gravitas in one of the most oddly poetic and beautifully brazen movies you may ever see.

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MOVIE REVIEW: Joker

A pungent plethora of hot-button words are being branded into the film flesh of Todd Phillips’ Joker. Be them complementary or damning, they seemingly cannot be rubbed away. An interesting debate to have is classifying which of those fiery adjectives actually talk about the film and not some external controversy, projection, trigger, or angle being spun before Joker even hits public screens. Not to be undone, this writer offers a self-appointed definitive word centered on the movie itself, one that he’s never used in a review in nine years and change. The word is gall.

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MOVIE REVIEW: The Peanut Butter Falcon

The Peanut Butter Falcon doesn’t just tell a good story. It tells a great one worthy of attention, praise, and undying appreciation. The purifying freedom that churns throughout this movie could cultivate even the most barren heart. This little lovable film, winner of the Narrative Spotlight Audience Award from the SXSW Film Festival, is the kind of experience that makes one rethink how their own story is going. That is a mighty, motivating accomplishment for something that couldn’t stand out more from the usual summer blockbuster fare.

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MOVIE REVIEW: Luce

The enigmas revealed by the spiraling escalation of manipulative confrontations are incredible in Luce. Through the masterful mystery of folding facades written by director Julius Onah and playwright/writer J.C. Lee of How to Get Away With Murder, there is a feverish anticipation of who’s going to turn, who’s going to crack, who’s going to fall, and who’s going to rise. The tension present is unpredictable and captivating.

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MOVIE REVIEW: The Farewell

Even with this divisive indigenous practice happening to challenge the sensitivity of audiences, the universal human condition feels are extremely strong in one of the most entertaining and freeing film experiences of recent memory. The writer and director herself attests there is “not a wrong moment to laugh.” Lulu Wang is right. The catharsis, the grief, or both are intensely relatable. With that humorous dread and paralyzing poise, this distinct film carries poignant spirit. There is room in any season for an unexpected film to surround and heal one’s self in the difficult or awkward stakes of familial love and loss.

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MOVIE REVIEW: Clara

Citing genuine and actionable science, Clara builds heady inquiry for the voluminous and important research of its depicted discipline. Its sense of intelligence intertwines with the unpredictability found in the amorous reverberations of the human heart. This combination creates an intimate and daring film experience that enraptures as easily and as powerfully as it fascinates.

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DOCUMENTARY REVIEW: Apollo 11

There are about three levels of “how in the hell did they do that?” that come from watching the sterling documentary Apollo 11. That exasperating and jaw-dropping question comes out often when we watch fantastical cinematic tales of fiction. But it’s different with Apollo 11 because of the non-fiction nature. Dozens of brilliant-yet-unassuming scientists, engineers, and specialists poured their lives and livelihoods into this mission and the entire program. In their honor, the documentary team led by director/producer/editor Todd Douglas Miller, have now echoed that monumental achievement with an artistic one of their own.

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MOVIE REVIEW: If Beale Street Could Talk

All of these sumptuous and strenuous sways are the work of Barry Jenkins taking James Baldwin’s lengthy and verbose prose and shaping it into a carefully honed narrative fit for the visual storytelling of the motion picture art form. The power of Baldwin is in his words, combinations of asides and absolutes with both bountiful and poignant descriptive details in between. Every adapted word from Jenkins telegraphs that gravity and projects these historical scenarios with towering relevance and parallels to present society.

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MOVIE REVIEW: Roma

That unfortunate fate could not be farther away from a film like Alfonso Cuaron’s Roma. For all of those possible extrapolations of commitment and dedication taking place within the craft of filmmaking, you may never, not this year and maybe several more after, see a more intimate artistic expression than this powerful and personal film. To the man making Roma, this film is special. To those viewing it, this film is important. To the art it serves, this film could be a potential masterpiece.

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