by Susan Laurel
A lot of movies are released every year and some of them manage to enter the competition for Oscars or Golden Globes. Some are better than others, have a more interesting plot twist or story and flabbergasting special effects. The last decades and all the technological advancements have changed the way movies are produced nowadays. Directors have changed their way of making movies and this is obvious if you compare modern movies with older ones.
Read MoreBy Bharat “Barry” Krishna
There are a variety of fictional representations of Time Travel in films over the decades. Each one also sports a mechanism to physically travel through time - hitting 88 mph in a Delorean, transported in an energy bubble, a hot tub, a time capsule, and more. In this article, I'd like to look at the consequences of traveling through time and its impact on the fabric of fiction reality. Anyone who's read science books that address time-travel will be quite familiar with a couple of infamous paradoxes. Let's take a look at each and match them with their time-travel constructs with film examples.
Read MoreBy Coleman Coddington
Architecture in The Fifth Element functions as a vessel for the narrative of the film. The architecture is reminiscent of a utopian society in which the majority of objects are automated and function autonomously from human intervention. With this comes a certain level of disconnection between the characters and the buildings within the film. Architecture in The Fifth Element serves little purpose to the characters other than housing the events they partake in. Architecture remains ordinary and typical, allowing it to not become very prominent and distracting in the film. However, Besson has caused the opposite reaction. In viewing the film, the built environment almost becomes suspicious to the viewers. Since it consistently seems to be removed from the characters and events, viewers begin to wonder why it appears in the form it does
Read MoreBy Truman Hood
Minority Report is a dystopian warning of a police-state, big brother-esque surveillance society that has experienced a complete destruction of free will. This central idea of the film is told not only through exposition throughout the film, but also by the built environment where the storytelling architecture assists in creating a narrative of a self-fulfilling prophesy. The built environment of Minority Report conveys how humans have abandoned the belief that their fates are determined by greater powers than themselves, such as gods or karma. Instead of mystic powers responsible for the repercussions of those actions, the contemporary worldview shifted.
Read MoreBy Hannah Thayer
The concept of only being able to move a predetermined number of ways within buildings, and within life, is challenged in The Adjustment Bureau. The people in the adjustment bureau are able to defy what architecture is and how it rules us by traveling through space using only doors; they open a door and choose where it leads to. Architecture has no authority over them as they get to use buildings how they see fit and use them to their space-traveling advantage. The built environment can be very demanding and incredibly intimidating. This movie addresses the idea of what is out of our control and how far are we willing to go to get it, while using the built environment to emphasize just how small we really are in the grand scheme of things.
Read MoreBy Omar Cardoza
In 2002, Cidade de Deus, otherwise known as City of God, was released in Brazil. It did not take too long before the film became internationally acclaimed, in fact this film was nominated for multiple Oscars although it did not win. The film’s narrative, filming techniques, and setting provide for a compelling argument that the whole story is in fact a true depiction of the favelas Brazil. Films and cinema can be a means to generate discourse between a reality presented to us through the screen and the actual reality of the world. This can cause changes not only to the individual but through enough exposure to a broader audience can cause changes at the societal level and “is extremely important and carries tremendous responsibility since believing that films can shape the collective imagination can (re)affirm or deny a preconception or even reinforce…”
Read MoreBy Shanle Lin
By the 17th century, when Galilei noticed that the earth goes around the sun instead of the opposite around. Many people were in shock. They couldn’t have believed that human wasn’t at the center of the universe. Generally, it is not the various great ideas that subvert the way of people thinking, but our ignorance of yesterday. People are afraid to accept the impact a brought by the solidified-mind revolution, although this is born with human nature. In the movie Westworld (1973), John Michael Crichton bravely used “technophobia” to express what may happen if robots made for hedonism or recreation purpose generate their own mind.
Read MoreBy Steven DiGiorgi
After analyzing Neill Blomkamp’s District 9 (2009), the setting of the film capitalizes on the post-colonial setting in Johannesburg, South Africa. What we viewed in the film as a representation of South Africa’s past, through an alternative perspective that identified the oppressed African people as aliens, known as the ‘Prawns’. The isolated community of District 9 represents oppressed living conditions for the millions of people negatively affected during the Apartheid rule (1950-94) (Weaver). For half a century, the South African people had faced dehumanization and discrimination by xenophobic Europeans. The caricature of the European colony was portrayed as the private military, MNU. They followed a typical method of a dystopian society, where power was diverted from the people to the hands of the government.
Read MoreBy Tessa Cleary
“Home is where the heart is” is an expression used to portray the feeling that someone acquires in a building but is realistically used to describe the way they interact with the space around them. The house that was constructed in Alejandro Agresti’s The Lake House, is a prime example of how a building can be considered successful architecture but lacks the interconnectivity that a home needs with the dweller. Years ago, people would stay in their home almost the entirety of their life usually due to things like lack financial stability, inability to move or neighboring family ties. Now it seems as though it is very common to move from place to place throughout the span of one’s life. When someone moves around frequently, it makes the house they dwell in less special because of the lack of time spent in that place to create memories and connect with the space and the people who live in it.
Read MoreBy Gabriel Hernandez
An 8,000 km journey across South America from Argentina to Peru will change people's perspective on life, an experience that will change the way one sees injustices around the world. The viewer will get a grasp on the discrimination between the upper-class communities and the indigenous people across Latin America in 1952. The story of Ernesto "Che" Guevara and his friend Alberto Granado's journey through South America was not meant to portray Che Guevara as a hero by any means. I believe it was only meant to recall the trip that molded him through the basis of his memoir. He described himself as a transformed man once the journey was completed from what he saw, whom he had met, and his near-death experiences on the road.
Read MoreBy Terrance Steenman
To be honest, I never thought too heavily about architecture growing up. I imagine most people feel this way their entire lives. Sure, when we were children there were LEGOs or Lincoln Logs (if you were so fortunate as to have those toys), and with those toys one could build a space of imagination, but rarely do people make the connection that the lessons learned can be applied to the masonry, wood, steel or concrete that shape our daily lives. Constantly in the field of architecture, we are told to think back to a time when we did not have architectural eyes, and to instead view architecture from the lens of the ordinary person
Read MoreBy Jake Monroe
Architecture and cinema have formed a relationship through film progression thought the 20th and 21st centuries. This relationship has its roots theater extending beyond the silver screen. Often this relationship acts to create setting, to ground the characters and give them an environment to react to and use to their advantage. It is often used strategically by the filmmakers as a tool for conveying what they set out to tell. At times, however, in the film the architecture transcends the role of place and becomes an active participant in the story at hand. It acts and reacts to alter and progress the story. The Hateful Eight, directed by Quentin Tarantino, is a beautiful example of this kind of architecture in film. I will discuss how the cabin in the film transcends set to become an active character and ultimately have a sense of self.
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