This man is a cowboy. Normally, that’s all you have to say and the portrait of toughness is painted, but therein lies the mystery within the mundane of The Rider. Populated by untrained actors and inspired by true events of these rookie performers, Chloé Zhao’s sophomore feature film stands on that determination only to slowly reveal the internal aches underneath the grizzled exteriors of hat brims, denim, and vices.
Read MoreThe intensity of the torrid on-screen affair in Disobedience is as strong as the rhetoric of oppression that simmers under the surface of the characters and the community they occupy. Sebastián Lelio’s follow-up to his Academy Award-winning foreign language film A Fantastic Woman teems with deeply stirring passion. Performed to a level of high commitment by Rachel Weisz and Rachel McAdams, the film repeatedly demonstrates that one of the best ways to build passion in a film is to present the implicit unspoken in a manor to outweigh explicit expression.
Read MoreThe weapon of choice of Joe, the gruff contract killer of You Were Never Really Here played by Joaquin Phoenix, is an industrial ball peen hammer from his trusty local hardware store in New York. The film matches the qualities of this repurposed tool as an armament. The instrument and the art prefer the mauling nature of cold steel. Frozen by disturbing memories, the blunt object that is Lynne Ramsay’s award-winning potboiler is far more hulking than a quick death by bullet.
Read MoreEvery Movie Has a Lesson has gradually become more and more of an advocate and proponent of the buried treasure that is the short film scene. I'm excited to share this report of a promising new hub named Softy.tv for audiences to experience and enjoy more from this branch of the film medium. Enjoy and learn up on this great viewing opportunity!
Read MoreThe end of a large war is always a turning point that trickles down from the front lines and the soldiers at arms to the home front with those that maintained their respective communities when their fighters were away. Wars benefit some community members while tragically redefining others. 1945 is a small and intense microcosm of that dichotomy demonstrated over the course of one fateful day in the aftermath of World War II. Shot in bracing black-and-white, this film exudes strong themes of guilt across several points of view.
Read MoreIn Cold War, Jon and Maggie’s misery is our delight and played for side-splitting laughs. The level of vomit in the film is as voluminous as the dark humor. This comedy is the brainchild of writer J. Wilder Konschak making his feature-length screenplay and co-directing debut with Stirling MacLaughlin. His created scenarios and pitfalls are bracingly honest for both their entertaining embarrassment and sinister believability.
Read MoreReady Player One is the liveliest Spielberg film in a decade or more. You could spend hours pausing every frame of this film to discover and relish in the multitude of buried treasures, making the film’s rewatch and replay value tremendous. The nostalgia factor of this film should be a high-score badge of achievement and not a knock of pitiful pandering. Dream fulfillment is a worthy and ambitious target for audience inspiration. That tangible sensation equals the desired blissful excitement this film delivers.
Read MoreTheir maddening pursuit for prisoners takes the opponents into a rustic valley of Mohawk turf with a river bordering one side and the full war on the other. One by one, grizzly deaths dwindle numbers on both sides until the prophetic zinger line of “we’re the only monsters left out here” brings forth another plane of peril. The aggressive hunt turns ethereal and truly primal towards a crackling climax of mist and fire.
Read MoreThough measured as a small independent film, Flower is an undoubted showcase platform for the soaring talent of Zooey Deutch. Clad in her plain tank-tops and empowering a character with all kinds of obscene confidence, not even the worst behaviors on display can take away the magnetism of her frank and jarring performance. For most of the film, she shines repulsiveness with unmatched charisma.
Read MoreStanley Tucci is a cinematic treasure of sarcasm. What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries. When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission
Read MoreThe melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.
Read MoreMany internal and external situations can cause feelings of desperation. Straits get so dire that horrible choices become the only choices. For Angie in Beauty Mark, played by emerging TV actress Auden Thornton, the burdensome weights (and they are sure plural) around her neck are overbearing. When those burdens and stresses pile on at the same time, the desperation of her situation becomes overwhelming in this excellent and hardscrabble family drama from writer-director Harris Doran.
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