They may not get much attention when they’re not made by Disney and not appearing in front of their animated tentpoles, but the artistry and creativity is alive and well in the field of animated short films. This year’s five nominees for the 92nd Academy Award are some of the most stark and unique entries I’ve seen in the years I’ve been able to cover the annual best. Below are my capsule reviews of this year’s final five for Best Animated Short. Naturally, my niche of life lessons are included. Like the documentaries and live-action shorts in other Oscar categories, the animated films are presently collected in a single program to watch on the big screen at Landmark Theatre locations nationwide, including the three venues here in Chicago.
Read MoreAll the while, here is Alfre Woodard staring holes through the most leaden armor. If the Oscars were to come calling, and they should if they had any sense, it would be Alfre’s first nomination in 37 years (Cross Creek) and her first leading one. Her hefty performance steps deeper into the accumulating difficulties that have come to beset the unflappable leader she portrays. Her character has to show collapse, but the performer never falters her requirements. Alfre is beyond compelling in taking on all of the destructive darkness this character envelopes around us all.
Read MoreZoinks, does this movie have vigor! For those folks who constantly lament that there is nothing original and interesting to watch anymore in this multiplex marketplace of creative bankruptcy, look no further than the minor challenge of following Korean subtitles. The sly guile simmering behind the decadence of Parasite exceeds any trope one thinks that possible assign to this film. This is your jaw-dropper. This is your water-cooler winner. This is the one that will keep people talking for a long time.
Read MoreHere’s some newly-released follow-up bonus content my recent guest appearance on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. When we recorded our reviews of Marriage Story a month before its Netflix debut, we entered spoiler territory for a segment to save for later. Well, later is now with Marriage Story going strong in its award season. In this new episode of CinemaJaw recorded at the glam headquarters of Cards Against Humanity, come for the Jumanji and Star Wars talk and stay for the Marriage Story “Spoiler Lounge!”
Read MoreThis past week, I was pleased as punch to be a guest on the CinemaJaw podcast, hosted by fellow Chicago Indie Critic members Matt Kubinski and Ryan Jagiello. On Episode #447, all three of us just got out of Noah Baumbach’s Marriage Story and, boy, did we have feelings. As per tradition, the Top 5 segment was for each of us to list our best break-up, separation, and divorce movies. An extended trivia segment followed later centered on Tom Hanks. Enjoy their excellent show!
Read MoreFor the 55th year, the excellent and eclectic of national and international cinematic art descends on the Windy City for a fall conclave. The 55th Chicago International Film Festival begins on Wednesday, October 16th with the Opening Night bow of Edward Norton’s period crime drama Motherless Child and continues until October 27th with the Closing Night documentary premiere of The Torch chronicling the life of blues legend Buddy Guy. Norton’s film leads an eleven-day showcase of 21 different themed programs containing over 120 films.
Read MoreThat throbbing level of staggering aura occurring parallel to poignant familial intimacy in Ad Astra is remarkably captivating. This is an accomplishment of contemplative science fiction that is felt in your core as much as it pours wonderment in your eyes. The high concept space opera vibes and the melancholic musings have been stretched and exploited further in other cinematic offerings within this fictional discipline. Nevertheless, the sharpness of execution here is something to behold with plenty of profundity to absorb and impress.
Read MoreMusicals, dramas, comedies, and thrillers are just some of the genres coming Chicago’s way from overseas during the ninth season of Asian Pop-Up Cinemas. For another month between September 10th to October 10th, the non-profit Sophie’s Choice film organization has brought another eclectic slate to the Windy City. Each season, Asian Pop-Up Cinema is the film series that cultivates American interest and understanding of Asian culture through movie storytelling.
Read MoreOne does not need millions of dollars to create an expression of personal passion. They need patience to see their vision through, a dedication to the project shared all involved, and the courage to put their work and themselves out there. Filmmaker Okema “Seven” Gunn harnessed all three of those values to make her short film A Sisterhood of Signatures and put them right back into the finished piece. She will proudly display her effort alongside the works of her inspirations and contemporaries as part of Chicago’s 25th Black Harvest Film Festival hosted by the Gene Siskel Film Center.
Read MoreHell no, you don’t have to be a superfan of Springsteen to enjoy Blinded by the Light, but it sure helps. Even if The Boss is not your ideal vibe, the sprightly emotions on-screen cannot help but target and trigger your own matching passionate feelings for whatever you revere that answers the questions of Lesson #1. Following the affable and lovingly-composed musical worship recently achieved by Yesterday earlier this summer, welcome to your next toe-tapping crowd pleaser to close the summer of 2019.
Read MoreThe enigmas revealed by the spiraling escalation of manipulative confrontations are incredible in Luce. Through the masterful mystery of folding facades written by director Julius Onah and playwright/writer J.C. Lee of How to Get Away With Murder, there is a feverish anticipation of who’s going to turn, who’s going to crack, who’s going to fall, and who’s going to rise. The tension present is unpredictable and captivating.
Read MoreThrough the niches and comely library aisles of off-label modest independent cinema, talent can elevate material. Sometimes the material isn’t the best at this level. A high class performer can come in and buoyantly lift an effort that wouldn’t have a chance to register or resonate with less. Little movies like that are easy to root for and even better to discover and appreciate. Richard Dreyfus bringing his talented capacity to Astronaut is exactly one of those exemplars.
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