According to the Merriam-Webster Dictionary, the most basic two-part definition of the word "identity" is "who someone is" and "the qualities, beliefs, etc. that make a particular person or group different from others." That notion of identity speaks to both our distinguishing physical appearance and persona on the outside as well as our internal soul, thoughts, preferences, and desires. In 2015, a captivating year where our own country has legalized same sex marriage and the introduction of Caitlyn Jenner set off shockwaves, our society is coming around to learning and understanding that not all identities fit into the usual two check-boxes of "male" and "female." We are witnessing the emerging battle for LGBT (lesbian, gay, bisexual, and transgender) equality right before our eyes.

MOVIE REVIEW: Big Game

Bankrolled overseas for just under $10 million, the new film "Big Game," playing concurrently in limited theatrical release and Video On Demand, stars a sizable cast of Hollywood players stealing easy money and cashing quick paychecks. "Big Game" is a dumpster fire. It might be so incredibly terrible that it's too bad to ever become a "so-bad-it's-good" guilty pleasure and cult favorite. This might be beyond the boys at RiffTrax to mock, and that's saying something.

COLUMN: Facts and history of the Cannes Film Festival

If you are a casual follower of the movie industry, there's a good chance that you've probably heard of, but don't know much about, the Cannes International Film Festival. You probably have seen the fashion report on E! and a few red carpet interviews on Entertainment Tonight or Extra. First off, you've got to say it right to sound cinephile-cool. "Cannes" pronounced "CAN" and not "CANS". That will help right off the bat. In this column, I'm presenting this article on the facts and history of the prestigious Cannes Film Festival to help the unfamiliar and uninformed movie fan sound like one of the 1% of cinema aficionados.

MOVIE REVIEW: The Water Diviner

"The Water Diviner" arrives as the directorial debut of Oscar-winning Australian actor Russell Crowe. Released last year in his home country, Crowe's film was the highest grossing film in Australia for 2014 and netted three Australian Academy Awards last year including Best Film. In an industry where everyone is constantly being compared and measured against their peers, most will to prognosticate Crowe already. Does he have it in him to be the next Robert De Niro behind the director's chair, the next Kevin Costner, or the next Clint Eastwood? Let's vote for "none of the above" and give him some time. Fashioned better than most directorial debuts, "The Water Diviner" isn't perfect, but it's a solid start from Russell Crowe climbing into a new chair.

MOVIE REVIEW: Clouds of Sils Maria

The new foreign-backed "Clouds of Sils Maria" is the latest film to challenge the parallels of a performer channeling what may or not be a version of themselves. Written and directed by Olivier Assayas, "Clouds of Sils Maria" premiered in competition at last year's Cannes Film Festival and worked the film festival circuit last winter, including stops in Toronto, New York, and the 50th Chicago International Film Festival. The film finally makes its limited U.S. theatrical release on April 10th. Honed down to a serious scale far smaller and more intimate than the likes of "Notting Hill," the cinematic star in the center of this solar system microcosm is Academy Award winner Juliette Binoche. As a gracefully aging actress of peripheral prominence playing a fictional one of the same sort in a different situation, we are taken inside a phenomenal character study. "Clouds of Sils Maria" is a fascinating actor's showcase that deserves and earns your attention for the behind-the-scenes tribulations of acting and the livelihood attached to that career.

MOVIE REVIEW: Two Days, One Night

With Cotillard commanding the screen and using none of her looks and star power, the Dardennes have created an intentionally minimalistic film that packs a punch without the need for gaudy theatrics. If this was a Hollywood film, this storyline of encounters would be backed by over-acted reactions, flashy star cameos, unrealistic results, a ticking clock like a "24" episode, and a heaping pile "Norma Rae"-level workplace politics and finger-pointing backed by some sweeping musical score that crescendos to a predictable and manufactured happy ending. A Hollywood film would beat those themes of confidence, sympathy, and pity to death with syrup and imposed drama. What started as realistic and approachable would be rendered melodramatic and fake. Because of the focused simplicity and plainness of this story and the artistic intent of the Dardenne brothers, none of those mistakes of over-indulgence occur.

EVERY MOVIE HAS A LESSON

by Don Shanahan

BRINGING YOU MOVIE REVIEWS AND MORE SINCE 2010

CRYPTOCASINOS

TheVore.com Streaming options

Brilliantly

Content & Links