CAPSULE REVIEWS: The third annual Irish American Movie Hooley

The third annual Irish American Movie Hooley is happening this weekend at the Gene Siskel Film Center from September 29-October 1st. This very writer and website was both lucky and honored to cover this event last year and has again been granted coverage access this year. The event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. Here are my capsule reviews of the three films. Get your Irish on at the Siskel Film Center this weekend!

PREVIEW: The third annual Irish American Movie Hooley

The Gene Siskel Film Center will host the third annual Irish American Movie Hooley from September 29-October 1st. This year’s event is comprised of three feature films, two of which are directorial debuts, all of whom are making their Chicago premieres. All screenings and events are at the Gene Siskel Film Center. his very writer and website was both lucky and honored to cover this event last year and will again this year. Stay tuned here for future capsule reviews and full reviews.

MOVIE REVIEW: The Villainess

The opening number makes the single-take climax fight with Charlize Theron in Atomic Blonde look like a box waltz lesson from an elementary school gym class. The woman is the reckless assassin Sook-hee, played by Ok-bin Kim of Thirst, and the scene ends with a hint of a deranged smile of glee. The Villainess spins with dynamic energy of wanton mayhem and operatic displays of graphic violence when the talking stops and confrontations begin.

MOVIE REVIEW: Viceroy's House

The most superlative aspect of Viceroy’s House and its chronicle of national history for the countries of India and Pakistan is the personal passion behind the project. Bend it Like Beckham and Bride and Prejudice director Gurinder Chadha is the granddaughter of family displaced by the largest migration of people in recorded human history that occurred during the Partition of India of seventy years ago. There is an undeniable core of importance and respect present in the film that shows the great care of Chadha and all involved.

2017, 2 STARS, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanSeptember 11, 2017Landmark Century Centre Cinemas2017, 2017 Fall Movies, Viceroy's House, Gurinder Chadha, Bend it Like Beckham, Bride and Prejudice, Partition of India, Pakistan, Bangladesh, Louis Mountbatten, Hugh Bonneville, Gillian Anderson, Lily Travers, Hastings Ismay, Michael Gambon, Jawaharlal Nehru, Tanveer Ghani, Muhammad Ali Jinnah, Denzil Smith, Mahatma Ghandi, Neeraj Kabi, Manish Dayal, The Hundred-Foot Journey, Huma Qureshi, Gangs of Wasseypur, Ben Smithard, A.R. Rahman, Rashtrapati Bhavan, Lee Daniels' The Butler, The Butler, Romeo and Juliet, Shakespearean, film review, movie review, film commentary, movie commentary, foreign film, India, World War II, Dominion of India, life lessons, life lessons from film, life lessons from films, life lessons from movies, historical drama, romantic dramas, film critic, movie critic, Don Shanahan, Donald Shanahan, Every Movie Has a LessonComment

MOVIE REVIEW: The Long Night of Francisco Sanctis

In a terse 80 minutes, The Long Night of Francisco Sanctis locks its suspenseful build and holds your attention. Open-ended as it is, the film could have employed additional time to hammer its points home and offer a payoff. However, it’s minimal surface and suddenness feels intentional to mirror the mysterious fates that befell so many people of this era. Quietly powerful, the effect and feeling are convincing.

MOVIE REVIEW: Lost in Paris

Lost in Paris is an exceedingly charming ditty of a comedy from the writing, directing, and starring duo of Dominique Abel and Fiona Gordon. Three overlapping character-coded chapters follow a wayward character’s pratfalls and screwups through the course of their fateful intersections. Lost in Paris weaves its yarn with clever panache. It’s a surreal jaunt that juggles the cheekily uncouth with the innocently sweet inside its ever-present sense of whimsy.

MOVIE REVIEW: My Cousin Rachel

Roger Michell stiffens his upper lip from his Love, Actually and Notting Hill fare to tackle a costume drama with My Cousin Rachel. Oddly enough, this film can stake a serendipitous claim as the second Michell-directed film about “kissing cousins” after Hyde Park on the Hudson. Unfortunately, more than a little uncomfortable laughter of preposterousness pokes out of this film while trying to portray itself as flowing romantic drama. That’s not going to sweep anyone.

2 STARS, 2017, Foreign Film, Independent Film, MOVIE REVIEWDon ShanahanJune 8, 2017Landmark Century Centre Cinema2017, 2017 Summer Movies, independent films, independent film, foreign films, foreign film, Foreign films, female leads, strong female character, My Cousin Rachel, Sam Clafin, Rachel Weisz, Roger Michell, Daphne du Maurier, Rebecca, The Birds, Rael Jones, Hugh Grant, Me Before You, Hyde Park on the Hudson, Notting Hill, 1952, Olivia de Havilland, Richard Burton, Holliday Grainger, Pierfrancisco Favino, World War Z, The Hunger Games, keep it in the family, film review, movie review, film commentary, movie commentary, life lessons, life lessons from movies, life lessons from film, life lessons from films, Don Shanahan, Donald Shanahan, movie melodramas, melodramas, mystery, costume drama, Chicago Independent Film Critics CircleComment

MOVIE REVIEW: I, Daniel Blake

I, Daniel Blake is unabashedly a “bleeding heart” film on literal and figurative levels. If this was a Hollywood film, it would be overrun with shouted speeches and orchestrational swells trying to manufacture emotional peaks. Fluff like that is unnecessary if you have the right poetic realism, For Loach, that’s second hand and he picks the right soapbox placement and thickness.

MOVIE REVIEW: Churchill

Brian Cox one of the most underappreciated character actors in the business today. He has been an accomplished and terrifically versatile mainstay through all levels and genres of film for over thirty years since turning our heads as cinema’s first Hannibal Lecktor in Michael Mann’s Manhunter. Cox is a consummate performer, brimming with fervid screen presence. From Braveheart to Super Troopers, he is never the weak link to any picture. Churchill offers a rare lead performance from Cox and, like the chameleon he’s always been, he reminds us of his indomitable intensity.

2017, 3 STARS, Foreign Film, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanJune 4, 20172017, 2017 Summer Movies, Churchill, Jonathan Teplitzky, Alex von Tunzelmann, Brian Cox, John Slattery, Miranda Richardson, Gary Oldman, Darkest Hour, Joe Wright, Winston Churchill, Sir Winston Churchill, The Railway Man, Burning Man, British Bulldog, Operation Overlord, D-Day, World War II, World War II movies, Julian Wadham, James Purefoy, Bernard Montgomery, King George VI, Dwight D. Eisenhower, Eisenhower, Clementine Churchill, David Higgs, Lorne Balfe, Care Hall, prosthetics, Michael Mann, Manhunter, Hannibal Lecktor, Braveheart, Super Troppers, leaders, Prime Minister, movie review, film review, movie commentary, film commentary, historical drama, Biopics, war films, anti-war films, life lessons, life lessons from film, life lessons from movies, foreign film, independent films, independent film, Every Movie Has a Lesson, Don Shanahan, Donald ShanahanComment

MOVIE REVIEW: Love, Lies

“Love, Lies” plays upon the decaying dichotomy orbiting the two women as they vie for love and validation against dignity and betrayal. It’s impossible not to feel the emotions imbued into the punctuating moments of expression through song that fully embody the conflict and romantic encumbrances weighing on the characters. The music is the vital and resonating fiber that unites the period atmosphere with the stirring portrayals of talent.

2017, 4 STARS, ADVANCE MOVIE REVIEW, Film Festival, Foreign Film, Independent Film, MOVIE REVIEW, Social MediaDon ShanahanMay 4, 2017AMC River East 212017, 2016, 2017 Asian Pop-Up Cinema, Asian Pop-Up Cinema, Love Lies, Seoul, Gyeongseong, Jo Eun-soo, Lee Byung-hoo, Korea, South Korea, Park Sung-woong, Yoo Yeon-seok, Reply 1994, Cold Eyes, The Wailing, New World, Japan, Park Heung-sik, Foreign films, foreign films, foreign film, life lessons from foreign films, life lessons from film, life lessons from movies, life lessons, melodramas, movie melodramas, film review, movie review, film commentary, movie commentary, Donald Shanahan, Don Shanahan, Chicago premiere, Danielle Garnier, Garnier Public Relations, Sophia's Choice, Sophia's Choice Presents Comments

MOVIE REVIEW: My Egg Boy

The trappings of “My Egg Boy” are firmly entrenched in melodrama, yet kissed with delightful fancy. The strength is in the dynamic writing to weave practical magic with fertile imagination. The romantic and symbolistic peaks and valleys built by Tien-Yu Fu are endlessly relatable even when characterized. What begins as whimsy evolves quite affectingly to something rapturously heartfelt.

SHORT FILM REVIEW: The Debt

2017 Chicago Irish Film Festival: Short Program II

Kids not only say the darndest things, but do the darndest things too. “The Debt” is a highly charming short film illustrating a child’s view of courtship and love. The romantic ways of the world are foreign to the young, so they make up their own ideas. Engaging and well-acted by youth performers, this short film will charm you to pieces.