Posts in Foreign Film
GUEST CRITIC #56: Ma Rainey's Black Bottom

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #55: Mank

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #54: Hillbilly Elegy

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #53: Once Upon a Time... in Hollywood

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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EDITORIAL: A Celebration of Tom Tykwer, Germany's Finest Renaissance Man

Perhaps best known for the terrifying, yet romantic film Perfume, Tom Tykwer has many other titles up his sleeve. There are few people in the world of blockbusters who do so much of the work themselves. However, there aren't so many people who have even heard of Tom Tykwer. Though he is most famous for his directing accolades, he's also a composer, editor and sits on the board of Berlin's International Film Festival. This is a celebration of Tom Tykwer, a true renaissance man, and a selection of his most brilliant films.

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GUEST CRITIC #52: The Players Club

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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GUEST CRITIC #51: Y Ti Mama Tambien

by Lafronda Stumn

As busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. Sometimes, they save me $9 and you 800+ words of blathering. In a new review series, I'm opening my site to friend submissions for guest movie reviews.

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MOVIE REVIEW: Luxor

There’s another great line in Luxor that says this is “a place that whispers to you if you listen.” It’s an effect threaded into the soundscape of the film by sound designer Frédéric Le Louet (The Informer) wafting in and out of the score from documentary composer Nascuy Linares (Embrace of the Serpent). The tourists around Hana hear tales of reincarnation and the passionate myths of polytheistic demigods. Whether she believes them or not does not compare to where her conflicted self esteem hangs precariously during this short holiday.

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MOVIE REVIEW: Proxima

The dramatic heartstrings of Proxima lie in the realization and reflection of what one will miss from being away and isolated for an extended period of time. Once again, multiple the usual working parent woes. The emotional pain from the anticipation of departure outweighs the excitement. As a viewer, no matter man or woman, you cannot help but ask yourself if you could do what Sarah Loreau is attempting. Could you uncling from your own children? Could you break promises? Like her, you will wrestle your optimism of adventure and entertain your feelings and fears of what and who you would miss the most. That’s a worthy and powerful tale to witness.

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MOVIE REVIEW: Cuties (Migonnes)

When it comes to Cuties, if you don’t like what you see of these errant kids left to their own wiles and devices, your gut is accurate and working. If its imagery bothers you, it’s supposed to. Check your gaze and your privilege. Now, look past the fictional take and target the very valid and present potential problem in our own settings and lives off the Netflix couch. If you don’t want that, prevent it with education. If you don’t want those sexualized elements to be goals, don’t make them so appealing and desirable to the uninformed. Adjust those expectations or create better ones. Shake your head, change your stance to empathy and honesty, and act accordingly to our daughters and children. Get there and you have made it precisely to the point that is being hammered home.

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MOVIE REVIEW: The Truth

To pull off holding court without reducing matters to the preening or showy variety, the performer must have screen presence. Deneuve, the ageless ingenue, “frigid femme fatale,” and “grandes dame” of French cinema, has wattage for a thousand cameras, even now in her mid-70s. With that stature, compelling shockwaves come at will. The acting awe within The Truth is that Deneuve’s prestige is matched moment-to-moment by Academy Award winner Juliette Binoche, a contemporary, if you will, every bit as powerful as the senior. Their pairing as an estranged mother and daughter in the celebrity world writes cinematic scripture.

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MOVIE REVIEW: 7500

There’s just something about “bottle movies” that elevate tension a step or two better than films grander, louder, or flashier sometimes. Their draw comes from the mental mystery of the given confinements, and you don’t have to be a claustrophobe to feel that anxiety. It’s about the imagined suggestions one makes to visualize what they cannot see beyond the setting’s boundaries. Oftentimes our minds paint it worse than it actually is, and that is more than enough to get the pulse rate going oh so very well. The new Amazon streaming film 7500 joins those ranks as a choice little carafe of collywobbles.

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