MOVIE REVIEW: 1945

The end of a large war is always a turning point that trickles down from the front lines and the soldiers at arms to the home front with those that maintained their respective communities when their fighters were away. Wars benefit some community members while tragically redefining others. 1945 is a small and intense microcosm of that dichotomy demonstrated over the course of one fateful day in the aftermath of World War II. Shot in bracing black-and-white, this film exudes strong themes of guilt across several points of view.

MOVIE REVIEW: Cold War

In Cold War, Jon and Maggie’s misery is our delight and played for side-splitting laughs. The level of vomit in the film is as voluminous as the dark humor. This comedy is the brainchild of writer J. Wilder Konschak making his feature-length screenplay and co-directing debut with Stirling MacLaughlin. His created scenarios and pitfalls are bracingly honest for both their entertaining embarrassment and sinister believability.

2018, 4 STARS, ADVANCE MOVIE REVIEW, Independent Film, MOVIE REVIEW, Film Festival, Video on DemandDon ShanahanApril 3, 2018Comment

MOVIE REVIEW: I Kill Giants

For the YA film demographic, I would trade the dozens of run-of-the-mill repetitive and mindless roller coaster rides for more stories and movies that engage and matter like I Kill Giants. Following in the footsteps of the likes of Pete’s Dragon and A Monster Calls in recent years, we have a more adult fairy tale that is not shy about heavy themes and strong emotions and enlightens them with a level of imagination that is fragile and brutal with its beauty at the same time.

Video on Demand, 5 STARS, Independent Film, 2018, MOVIE REVIEWDon ShanahanMarch 31, 2018Comment

MOVIE REVIEW: Mohawk

Their maddening pursuit for prisoners takes the opponents into a rustic valley of Mohawk turf with a river bordering one side and the full war on the other. One by one, grizzly deaths dwindle numbers on both sides until the prophetic zinger line of “we’re the only monsters left out here” brings forth another plane of peril. The aggressive hunt turns ethereal and truly primal towards a crackling climax of mist and fire.

2018, 4 STARS, Independent Film, MOVIE REVIEW, Film Festival, Video on DemandDon ShanahanMarch 25, 2018Comment

MOVIE REVIEW: Paul, Apostle of Christ

Removing the religious marrow from the bones of Paul, Apostle of Christ will not weaken the story being told by the film. At its core, the reverent desire to document an enlightened jailed man’s life story before his pending death is a respectful measure of learning and commitment anyone from any walk of life can appreciate. Moreover, when the purpose of recording is to carry on the prisoner’s mission, the sense of regard grows. Once the spiritual gravity of the “who” and the “what” is applied, the importance of this chronicle increases even further.

2018, 3 STARS, Independent Film, MOVIE REVIEWDon ShanahanMarch 25, 2018Comment

MOVIE REVIEW: Journey's End

Journey’s End recounts the British side of a climactic four-day span from March 18-21, 1918 in the stalemate “No Man’s Land” trenches of Aisne in northern France in the lead-up to Operation Michael. Every month, each British company is required to serve six days on the front line where casualties are gravely high. Gambling with death sentences, both trooper and officer alike pray that their six days are not the ones where an offensive is being amassed or defended.

MOVIE REVIEW: Flower

Though measured as a small independent film, Flower is an undoubted showcase platform for the soaring talent of Zooey Deutch. Clad in her plain tank-tops and empowering a character with all kinds of obscene confidence, not even the worst behaviors on display can take away the magnetism of her frank and jarring performance. For most of the film, she shines repulsiveness with unmatched charisma.

MOVIE REVIEW: Submission

Stanley Tucci is a cinematic treasure of sarcasm. What that man can shell out in a throwaway line, a raised eyebrow, or a pause of bated breath is on another level to most of his peers and contemporaries. When Stanley cranks that mockery up with profanity, it only gets sharper. It would take quite the rug pull to disrupt that man’s mojo. Tucci meets that tumultuous turmoil in Submission

2018, 3 STARS, Film Festival, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanMarch 19, 2018ArcLight ChicagoComment

MOVIE REVIEW: The Death of Stalin

Hot damn, you know your satire is magma-level hot when you offend the powers-that-be of a country enough to ban your film from playing on their soil. Labeled as “extremist” and a “provocation” enough to spark tabloid headlines like “the film Hitler could have made,” Armando Iannucci’s The Death of Stalin wears a giant badge of pride next to a tiny medallion of shame on its cinematic uniform on being banned in four nations: Russia, Kyrgyzstan, Azerbaijan, and Kazakhstan.

2018, 3 STARS, 2017, Foreign Film, Independent Film, Video on DemandDon ShanahanMarch 18, 2018Comment

MOVIE REVIEW: Colors of the Wind

The melodramatic preposterousness of Colors of the Wind is two-fold. The first layer is good old-fashioned stage magic, everything from card tricks to disappearing acts. The second comes from the notion of doppelgangers, the fanciful term for doubles, ghostly counterparts, and alter egos that have been a storytelling trope before in film. Both elements create spirited and soapy intrigue in the film when combined with the romantic destiny of star-crossed lovers.

MOVIE REVIEW: Beauty Mark

Many internal and external situations can cause feelings of desperation. Straits get so dire that horrible choices become the only choices. For Angie in Beauty Mark, played by emerging TV actress Auden Thornton, the burdensome weights (and they are sure plural) around her neck are overbearing. When those burdens and stresses pile on at the same time, the desperation of her situation becomes overwhelming in this excellent and hardscrabble family drama from writer-director Harris Doran.

SHORT FILM REVIEW: The Photographer

Underneath the on-screen actions in director Mark Sobol’s dynamic short film The Photographer, the motif of voyeurism is dissected from a presented theory. A male narrator orates an internal monologue opening on the notion “a subject is so much more beautiful when it doesn’t know its being watched.” Assigning beauty to a moment that is not the observer’s to share in begs a few life lessons.