UPDATED: Found within are my capsule reviews of the feature films and documentaries covered by Every Movie Has a Lesson from this year’s 6th Chicago Critics Film Festival. This post will be updated as new films are reviewed are completed, so be sure to bookmark this and come back each day as new offerings arrive. Build your 2018 hidden gem list and see you at the Music Box Theatre in Lakeview!
Read MoreAcademy Award-winning writer Diablo Cody has an unparalleled gift for the sardonic. She knows just the right rhythm of mockery and skepticism to twist mundane circumstances into something both witty and affecting. When combined with director Jason Reitman (Juno and Young Adult) and his sensibilities wired to much the same wavelength, the results are gleefully glorious. With their latest collaboration Tully, the writer-and-director duo have done it again.
Read MoreThis man is a cowboy. Normally, that’s all you have to say and the portrait of toughness is painted, but therein lies the mystery within the mundane of The Rider. Populated by untrained actors and inspired by true events of these rookie performers, Chloé Zhao’s sophomore feature film stands on that determination only to slowly reveal the internal aches underneath the grizzled exteriors of hat brims, denim, and vices.
Read MoreTake Kings as how a foreigner sees our plights, troubles, and history. Ergüven has talent but comes across as tone deaf when trying for tribute out of this script that she’s been sitting on since 2011. What should be a spike through the heart gets washed away by the time a sunny Motown cover song tries to become a palette-cleansing “everything’s fine” coda and exhale moment in the end credits. Even as pure dramatization, Kings is an irresponsibly aimless one.
Read MoreThe intensity of the torrid on-screen affair in Disobedience is as strong as the rhetoric of oppression that simmers under the surface of the characters and the community they occupy. Sebastián Lelio’s follow-up to his Academy Award-winning foreign language film A Fantastic Woman teems with deeply stirring passion. Performed to a level of high commitment by Rachel Weisz and Rachel McAdams, the film repeatedly demonstrates that one of the best ways to build passion in a film is to present the implicit unspoken in a manor to outweigh explicit expression.
Read MoreTheir expansion plan was very sharp and forgoes the thirst to hack and slay mindlessly like most current horror offerings. The shrewd focus of Ghost Stories is scarce on spectacle and firmly rooted in sinister nuance. The over-caffeinated and desensitized segment of genre fans might call it boring, while the veterans who remember effective minimalism will be squeezed by the twisted nerve leading to solid suspense.
Read MoreThese narrative and aesthetic combinations make for a dynamic and sincere film from first-time writers and directors Liang Xuan and Zhang Chun. Big Fish & Begonia is an excellent place for teens to soak in some much-needed empathy against the more mindless American animated offerings. Give them an experience to absorb resonating truths on the powers of faith and love told from a different yet timeless light. They might just be better people for it.
Read MoreThe weapon of choice of Joe, the gruff contract killer of You Were Never Really Here played by Joaquin Phoenix, is an industrial ball peen hammer from his trusty local hardware store in New York. The film matches the qualities of this repurposed tool as an armament. The instrument and the art prefer the mauling nature of cold steel. Frozen by disturbing memories, the blunt object that is Lynne Ramsay’s award-winning potboiler is far more hulking than a quick death by bullet.
Read MoreFashioning itself as a coming-of-age dramedy, Krystal scratches out frank dialogue emoting on behalf of overly honest hearts. It banks on mixing sentiment built on pleasantries laced with profanity. All kinds of abrupt dysfunction and daffy discombobulation try to be endearing entanglements for entertainment, but the result is a really uneven piece of batty humor and grating romance
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Read Moren concisely thematic way, the award-winning short film The Prince, written and directed by Kyra Zagorsky, is a moving artistic interpretation of one of those such moments. It indeed has a thought-provoking story to tell, and the result creates a resonating effect in short order, the chief goal of a good short film. The Prince’s key to accomplishing its depth is the twin layers it uses to portray and describe its moment.
Read MoreThe finest horror films have concepts that tap into elemental fears not just in shocking ways, but in engaging ones as well. They find entertainment value in the gripping suspense and provoked panic that tingle our inseparable fight-or-flight human instincts wired to our senses. Surprises are easy, but building lasting reverberation from those sensations is the challenge. John Krasinski’s directorial debut, A Quiet Place, chooses to strike our sense of hearing, combining a slick creature-feature with a chamber piece of deadly silence that immerses the audience in compelling thrills.
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