Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreSteven Coogan and John C. Reilly offer meticulous and mirror-like stage perfection. Their movements, cadences, and pliable statures stir light shenanigans and incalculable charm, just the like the genial historical figures. The winsome and touching delights spreading from the remembrances and respect found here in Stan & Ollie make for amiable and meaningful engagement. This one is a true treat.
Read MoreChicago’s 90-year-old premiere arthouse venue will be exclusively presenting Alfonso Cuaron’s highly regarded Oscar contender Roma in widescreen 70mm. The Spanish-language film from Mexico will play on their main screen over the course of five days and fifteen showings between Wednesday, January 9th and Sunday the 13th. Tickets for Roma are $15 ($12 for Music Box members) and available now at their box office or online.
Read MoreFree of labels and talking heads and clean in ambiguous anonymity, They Shall Not Grow Old is entirely composed of footage and voiceovers restored and transformed by current production technology. The documentary takes viewers through the enlisted man’s journey through the Great War from sign-up to homecoming in vibrant color and 3D, a theatrical event (presented by good people at Fathom Events) like no other you will find this year.
Read MoreAs busy I get from time to time, I find that I can't see every movie under the sun, leaving my friends and colleagues to fill in the blanks for me. As poetically as I think I wax about movies on this website as a wannabe critic, there are other experts out there. Sometimes, it inspires me to see the movie too and get back to being my circle's go-to movie guy. In a new review series, I'm opening my site to friend submissions for guest movie reviews. Today, meet fan and follower of the page Farnaz Nazari
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreAll of these sumptuous and strenuous sways are the work of Barry Jenkins taking James Baldwin’s lengthy and verbose prose and shaping it into a carefully honed narrative fit for the visual storytelling of the motion picture art form. The power of Baldwin is in his words, combinations of asides and absolutes with both bountiful and poignant descriptive details in between. Every adapted word from Jenkins telegraphs that gravity and projects these historical scenarios with towering relevance and parallels to present society.
Read MoreWith more dismissive scowls than joking winks, thinly veiled outrage outweighs the drink-clinking humor in Adam McKay’s film presenting a biography of one of the least favored men in American political history. Hazy in some moments, hasty in others, and always provocative, Vice is easily the most polarizing film of the year. The movie is not unlike Cheney’s own aim with a shotgun, hitting and missing plenty with occasional collateral damage.
Read MoreNotable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work. Representing Every Movie Has a Lesson, I, along with over 50 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate. I'm honored by the opportunity, and I hope my responses are chosen each week.
Read MoreNot only has writer-director Kendall Goldberg fleshed out this excellent main character, she guides it through this plot with a matching sense imagination and earnestness. The nuances win in a story where heart and pragmatic approachability outshine any need for shock value and raunch. The smart and spot-on tonal mix of such simplicities deserve to be appreciated.
Read MoreThe Favourite has a wider scope and warmer temperature than Lanthimos’ previous two films. His aim for deadpan delivery highly on display last year in The Killing of the Sacred Deer bends to occasionally include pulse-quickening emotions and diaphragm-shaking chuckles. The Favourite says that “love has limits.” The same can be said for Lanthimos. He is the exact definition of an acquired taste. The brilliance is there, with much to love and plenty still to rebuke.
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