Posts in Independent Film
MOVIE REVIEW: The Time Capsule

Injecting science fiction into a story can be a bit of a magic wand. Slick futuristic plot devices can make a few “what if” and “would-coulda-shoulda” dreams come true with a figurative wave of a hand or taps on a screenwriter’s keyboard. Nevertheless, that kind of intellectual escapism in movies will always tantalize. Embracing a quaint romance with heady consequences, The Time Capsule flicks its wrist for a little magic without sacrificing the seriousness of its premise’s implications.

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MOVIE REVIEW: Foxhole

By observantly depicting three wars from three different centuries using the same troupe of actors, Foxhole filmmaker Jack Fessenden holds a multi-faceted mirror up to the humanity and mortality of war. His sophomore feature film questions if the causes have or have not changed when it comes to those two pillars. The way he measures that is within the soldiers themselves when placed in their most confined circumstances.

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MOVIE REVIEW: The Sound of Violet

When it comes to entertainment value versus artistic value, much can be forgiven about a film when its heart is in the right place. Beginning as a romantic comedy, The Sound of Violet has a beginning premise that veers very much into a cloying territory. Once the drama of its chosen realities thicken and the laughs no longer come easy, its sense of correction can feel quite heavy-handed. Normally, such an imbalance would be the death knell for a movie. Somehow, the openly hemorrhaging sweetness of The Sound of Violet grants a few critical pardons.

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MOVIE REVIEW: That Night

That Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.

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MOVIE REVIEW: Marvelous and the Black Hole

Serendipitously so, the opposite becomes the case. That line, among many others that follow, could sneakily summarize the FilmRise Sundance darling Marvelous and the Black Hole. Little wonders and big feelings percolate, intersect, smear, and overwhelm a collection of very unique yet relatable people in this film, and the effects could not be more touching and soul-stirring. For folks willing to seek it out in limited theaters, a rewarding hidden gem awaits you.

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SHORT FILM REVIEW: Darcy Collis

Good movie fans know horror movies come in all shapes, sizes, and, most importantly, descriptors. The newest mini-odyssey from the Chicago-based Splatter Brothers filmmaking team, Darcy Collis, lives up to and stamps those three possible measurements. The shape is something reality-based. The size is that of a short film. Best of all, the descriptor of choice for this writer out of all the possibilities is “chilling.”

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MOVIE REVIEW: Apollo 10 1/2: A Space Age Childhood

Written and directed with a galaxy’s worth of love by Richard Linklater, Apollo 10½: A Space Age Childhood may be one of the most rich and endearing “back in my day” yarns you will ever find. The proud Texas filmmaker has long embraced time capsule motifs and his suburban upbringing throughout his career. Bringing back his layover rotoscope animation style, Linklaker presents the point of view of a pre-teen daydreamer during 1969, one of the most influential years in American history.

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MOVIE REVIEW: Fresh

Maybe Fresh’s exotic menu is not a good place for that “no thank you bite.” However, please, please, pretty please with sugar on top, only apply that very fair dismissal to the controversial cuisine on display and not the actual movie. You would be missing a very interesting movie, one you might laugh at or become scared to death to experience. That sensation is worth its morsel of escapism.

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MOVIE REVIEW: Family Squares

While Family Squares is respectfully dedicated to all those who have lost someone during this awful pandemic, Laing’s movie allows us some much-needed, profanity-laced laughs. Playing out a dramedy fitting and formed by our current plight, the movie can be seen as a future time capsule for our shared mini-era. Not all the tangents work or are worthwhile, but the salute to collective solidarity is there.

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MOVIE REVIEW: The Desperate Hour

Instead of empathy leading to absorb the full breadth of such a possible tragedy, the conjured thrills selfishly serve only one side of the story and plead a hollow case by the end. By staying on Amy and her radical involvement in the climax, the movie forgets to consider the unseen characters in the story that do not fare as well. The movie is laser-focused on this one mom and her one kid with very little respect extended to the fullness of the event or larger issue. Even with the objective of making a claustrophobic and voyeuristic movie, that larger picture cannot responsibly be dismissed for selfish or singular gain.

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MOVIE REVIEW: Strawberry Mansion

That exchange is one of few that typifies the giddy hospitality and the bizarre allure of Strawberry Mansion from the writing and directing team of Kentucker Audley and Albert Birney. The movie extends a coy and welcome hand to join its descent into weirdness while still spinning plenty of heady oddities to rattle cages of normal sensibilities. Go ahead and take this movie’s leap into the surreal. You may just like what you find.

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MOVIE REVIEW: I Want You Back

Charlie Day and Jenny Slate are both very calibrated when it comes to self-deprecating humor. He has his plucky fluster and she has her Debbie Downer magnetism and their mutual resumes before this movie are full of that specialty. When they’re together, the two best actors and characters are bouncing emotions off each other. Their comedic cadences click for their future foregone conclusion of “will they” or “won’t they.”

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