Fans of sports movies know Hollywood loves inflating unknown underdog stories. For example, most folks never heard of the likes of Rudy Ruettiger or Lane Frost before movies like Rudy or 8 Seconds came along to draw cheers and tears. Their success proves it’s not always the size of the legend that always counts. Even so, the grand style of lionizing hero worship is the farthest thing from director Lee Cipolla’s mind.
Read MoreConsequently, The Insitigators comes off like an unbalanced buddy comedy trying to chirp jokes during a grizzled crime thriller. Sure enough, it’s wonderful seeing Casey Affleck shuck the morose persona he’s been leaning on for the last decade across films to play the loquacious rascal. Unfortunately, he’s all by himself. With known charisma and ability in either of those aforementioned subgenres, Matt Damon feels like a waste of talent to play the unlaughing and tame Rory next to Casey’s Cobby.
Read MoreHowever, at some point, Space Cadet has to realize they are planting this character in a profession that demands high qualifications for a reason. For all the wonder surrounding being an astronaut, it’s a job that has life and death risks and consequences. Real astronauts busted their tails and became experts in their field legitimately. Space Cadet asking us to swallow their narrative with Rex besmirches that revered history and belittles the importance of program to a borderline disrespectful level.
Read MoreUnlike his musclebound beefy action star peers of the 1980s and 90s, what made Axel Foley an entertaining and enduring character for Eddie Murphy was his riffing eloquence with all matters of verbal communication. The fast talker was the best bullshitter in the business. As long as Murphy could resummon that fluent tempo in Beverly Hills Cop: Axel F– that crass, disarming, and profanity-soaked gift of gab– and keep it with some stamina for another lavish action comedy, all that was necessary would be fulfilled. Well, queue the popular wrestling crowd chant, because he’s still got it… and then some!
Read MoreIf everything and everyone fell into place at the same time, we wouldn’t have a rapturous movie to enjoy, meaning the patience for that chase of schedules is part of the romance genre’s whole appeal. Directed by a returning professional in the department of silver screen love, Richard LaGravense, A Family Affair understands these principles well and bends them to its will and modern sensibilities.
Read MoreGuy Friends circles its wagons and makes the fresh duo of Jaime and Sandy the core of the film. The main plot and their gestating sample examination of friendship establishment are shot in black-and-white by writer-director Jonathan Smith and mirror little full-color vignette testimonies of real people describing how they became best friends. In less witty hands, these arcs of burgeoning female connection and the well-worn looking-for-love plight would conveniently be vanquished in a grandiose and, in all likelihood preposterous, rom-com climax involving some kind of public shenanigans.
Read MoreThis baked-in layer of brains amid the brawn in Hit Man is credited to Linklater and Powell working together to punch up a screenplay together allowing fun to frolic next to intrigue. All of the nerdy philosophy would normally feel like serendipitous mumbo-jumbo tacked on a less intelligent premise. Instead, Hit Man’s slick polish and playful panache combine to create witty smartness seething with sensational sexiness at a level higher and hotter than we have seen in years with romantic comedies and crime capers. This date night delight is just what this summer season needs, be that in a theater or on your Netflix couch.
Read MoreNot to equate an actress to a videogame or pro wrestling, but Anne Hathaway has a unique and refined moveset as a performer. Her most front-and-center and patented gimmick has always been her wide and radiant smile. When all else fails, Anne can pull that out and win just about any heart. Strategically, though, she has an even stronger bread-and-butter maneuver, and it comes out distinctly in her new film The Idea of You. It’s the “look-away.”
Read MoreSmooth one, Peter. Leave it to dads to gladly go beyond their reach and overdo a promise to impress their spouse and children. Why? Because dads are meant to be larger than life and therefore operate the same way. Well, “to the moon and back” sure worked on Peter Gilbert’s daughter Lydia (Isabel May of I Want You Back) every time it was shared. The Moon & Back confirms that claim with evidence captured with the framing and resolution of old VHS.
Read MoreMake no mistake. Unspoken history exists between Lena and James. At this recorded moment, they may or may not share the inquiring answer the host is hoping to extract. Nevertheless, there’s a story here that promises a long and difficult road merging togetherness and stardom. Using deft and economical storytelling, writer-director Patrick Meaney (House of Demons) has crafted The Brink Of to reveal this little melodrama nimbly.
Read MoreWhen it comes to the contentious social and political conflicts surrounding the immigration issues between Mexico and the United States, it’s very easy to create “us vs. them” measurements and scenarios. On many occasions, each side has called out opposing irregularities and hostilities to declare themselves in the right while labeling the other the enemy. The Absence of Eden, the debut directorial effort from Marco Perego, attempts to address this balance while carrying a burdensome “us vs. them” dual narrative.
Read MoreMerging this kind of existential melodrama with the outlandish happenstance of time travel requires characters audiences will care about beyond pragmatics and a lush production that can sprinkle magic on the grains of salt required. With the three charismatic and emerging talents present, the human appeal is covered in The Greatest Hits.
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