There is an unmistakable layer of “people-watching” cinema brings to its artistic atmosphere and aesthetic. An omnipresent camera grants private points-of-view, shines light on secrets, and challenges the observational skills of the audience. Kenneth Lonergan’s “Manchester by the Sea” introduces the wearisome life of one solitary man and proceeds to unearth the repressed sorrow and unspoken emotions that lie underneath his mundane exterior. The most praiseworthy character-driven films have the patience to cultivate its truths with substance and the wisdom to never give you everything. Lonergan’s near-perfect jewel is a new exemplar of such qualities and one of the finest films of 2016.

MOVIE REVIEW: The Birth of a Nation

Circling back to the “timely” label, the film bears the designation in equally positive and negative connotations, depending of your personal capacity. Consider “The Birth of a Nation” to be the antithesis to “Selma” two years ago. This film’s depiction of violent retaliation reverberates far differently than Martin Luther King’s example of nonviolence. Audiences will wrestle with that polar opposite being empowering or troubling in justification.

MOVIE REVIEW: Swiss Army Man

As ambiguous as this sounds, your love or hate of the new film and Sundance favorite, “Swiss Army Man,” will say something about your inner quirkiness, mindset, and, most of all, your heart. Packed with detail and imagination beyond belief, this film defies classification and destroys the hyperbole, pretense, and comparative euphemisms that normally define films about friendship, the genre of buddy movies, and even unconventional screen love stories. Movies that tug our heartstrings with a smile normally kill us with kindness. The polarizing “Swiss Army Man” kills us with weirdness. This film lets its WTF freak flag fly and encourages you to do the same.

EVERY MOVIE HAS A LESSON

by Don Shanahan

BRINGING YOU MOVIE REVIEWS AND MORE SINCE 2010

CRYPTOCASINOS

TheVore.com Streaming options

Brilliantly

Content & Links