Call this a crude cinematic question as well as a question of evolved sensibilities, but how do you make shiny things and places scary? Horror stories typically thrive on the dirty, dingy, and grotesque as instinctual triggers. It’s harder to get that same effect in a setting of clean poshness. The long-distance sequel Candyman has an answer to that and it parallels putting truth to the societal cleansing castigated by the movie itself.
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