Following in the transcending footsteps of Greta Gerwig’s Little Women, award-winning actress Frances O’Connor makes her feature debut as a writer and director with Emily to blend biographical notes with envisioned dramatic license. Before her acclaim on the printed page, Emily Brontë was a lover, a sister, a daughter, and an independent woman of turmoil and ache. Anchored by a stirring lead performance from Emma Mackay, O’Connor’s emotive film seeks to flesh out that very soul.
Read MoreIf you're like me and friend-of-the-page Emmanuel Noisette of Eman's Movie Reviews, you might be feeling masterpiece-labeling pressure and Dunkirk review fatigue. For Emmanuel, guest extraordinaire Harry Egbo, and I, the film didn't resonate with us emotionally, but we had plenty of superlatives to talk about mingling with the challenges and questions. This is a SPOILER-FILLED audio discussion and the ethnic music in the background is all bonus gravy!
Read MoreAs a big Christopher Nolan fan and supporter, this review was difficult. Critic after critic is calling Dunkirk Nolan's masterpiece and best film to date. I simply can't do that and no filmmaker should ever get a pass. In fact, it might be the worst of his films I have seen, but that's like slipping from a king-size Sleep Number mattress to a king-size pillowtop mattress. The fall isn't far. Allow me to explain. Here's my "Movie Classroom" interactive whiteboard presentation of the audio form of my written review as it appears posted on Every Movie Has a Lesson's YouTube channel.
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