Count Somewhere in Montana writer-director Brandon Smith as a wiser gentleman who avoided, for the most part, reaching for those types of low-hanging fruit. These featured men are surprisingly deeper than their outward tropes, and their qualities thicken, ever so slightly, what could have been a narrow movie.
Read MoreNormally, every protagonist in a live-action Walt Disney film gets a unnecessarily thick coat of heroic paint and every encounter, obstacle, or event calls for a full-throated orchestra of peril and self-importance. In a somewhat pleasant surprise, "The Finest Hours" avoids most of the the puffed-up flamboyance that we expect (and commonly grow tired of) from the Mouse House. The key word is "most," as the film thankfully dials down the usual Disney over-inflation while still possessing plenty of imperfections and distractions.
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