In a reversal of this practical parable’s usual cadence, one man’s treasure is another man’s trash. This is where the tastes, descriptions, and comparisons begin for 1975’s The Astrologer. A young man named Craig Denney set out to direct and star is his own feature film to break into stardom. It was a passion project of sorts derailed by a backstory of avoidable failure. Along the same lines as trash versus treasure, one filmmaker’s passion project is another man’s vanity film.
Read MoreThere are few things more scenic and compelling than a wide-open rooftop overlooking a sprawling urban landscape. The perception of heigh and depth does it all. Over the years, some iconic movie scenes have taken place on rooftops. Maybe it’s the risk of falling off, or the build-up to the inevitable showdown at the end. Here is an engaging infographic from Rubber Band on some of the best rooftop confrontations in movie history.
Read MoreAs an equal opportunity movie writer and fan, I would be negligent and remissed if I didn't show my friends of Italian ancestry the same love I did just week for my fellow Irish-Americans. For those who don't know, today, just two days after St. Patrick's Day, is the Feast of St. Joseph, or St. Joseph's Day. This list is a refresh of an editorial list I made five years ago. To my Italian-American readers and friends, take in this list of muddled stereotypes and relish in what the American audience thinks of you and your heritage.
Read MoreCelebrated director Clint Eastwood is no stranger to biopics based on historical figures, making him an ardent practitioner of hero worship. Because the 86-year-old, four-time Oscar winner classically directs with a soft hand and a comely tone, his brand of adoration consistently lands on the veneration half of the definition. Combining forces for the first time with another hero worship professional in All-American leading man Tom Hanks on “Sully,” you have double the cinematic potential of cherished devotion.
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