As entertainment, movies are an ideally suited artistic medium to motivate or stimulate emotional responses. The smartly composed narratives among them can pull that off naturally. Others force it. When such happens, manipulation replaces motivation. For an example, look no further than “Collateral Beauty” starring Will Smith and directed by David Frankel. It is one of the most egregious miscalculations of filmmaking and marketing in recent memory.
Read MoreMarketed like a thrilling disaster film yet playing like a respectful drama, "Everest" is still carries the sheen of every other Hollywood mountain climbing movie while offering enough of a eulogistic history lesson to be respectful of its true story. Based on the real 1996 events documented in Jon Krakauer's massively best-selling novel "Into Thin Air," astute viewers who know how it will all end will still be engaged and entertained through the cliches. Director Baltasar Kormakur veils the seams of Hollywood dramatization enough to not sour the experience.
Read MoreThis year, the annual Weinstein push will be given to "The Imitation Game." The film checks all of those boxes of "Oscar bait" qualities. You have a war-time period story of great significance, a central biographical figure, and a top-notch cast of revered pedigree. Most important of all, "The Imitation Game" checks the box about being worthy in the first place. The film is tailor-made for awards season and borders on greatness. "The Imitation Game" is better than "The King's Speech" from three years ago and deserves every single over-indulgent and self-glorifying piece of shameless Oscar campaigning that it is going to put out there. This one is worth the hype, folks.
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