MOVIE REVIEW: Babylon

The audience’s constitution will be the deciding factor on Babylon’s wide gamut of pungent engagement and raging spectacle. This juxtaposition of the carefree and zany with the dirty and dark underneath can very easily be too much. Any twinkling enchantment is met with bracing hardness. Any gleaming art is met with harsh repulsiveness. Extend this blaring back-and-forth of lift and defeat for over three hours, and Babylon can be as exhausting and unfocused as it is impressive. Good luck coming down from that high or out of that fog.

2016, 2017, Independent Film, Social Media, SPECIALDon ShanahanJanuary 9, 2017Transistor ChicagoAwards, Awards Talk, CIFCC, CIFCC Awards, Chicago Independent Film Critics Circle, 2016 CIFCC Awards, Oscar hopefuls, Ava DuVernay, 13th, Jacqueline Stewart, Charles Musser, Pioneers of African-American Cinema, Yorgos Lanthimos, The Lobster, The Love Witch, Anna Biller, Atmo Horrox, Piper, Doctors Strange, Swiss Army Man, La La Land, Justin Hurwitz, Tom Cross, Madeline Fontaine, David Wasco, Linus Sandgren, Viola Davis, Mahershala Ali, Manchester by the Sea, Natalie Portman, Jackie, Casey Affleck, Barry Jenkins, Tarell Alvin McCraney, Kenneth Lonergan, Damien Chazelle, Southside with You, Richard Tanne, Kubo and the Two Strings, Travis Knight, Laika, The Fits, Anna Rose Holmer, O.J.: Made in America, The Handmaiden, Best Independent Film, Best Studio Film, Best Foreign Film, Best Documentary, Best Microbudget Film, Best Animated Film, Best Chicago Film, Best Director, Best Original Screenplay, Best Adapted Screenplay, Best Actor, Best Actress, Best Supporting Actress, Best Supporting Actor, Best Ensemble, Best Cinematography, Best Production Design, Best Costume Design, Best Editing, Best Original Score, Best Makeup, Best Visual Effects, Best Short Film, Best Undistributed Film, Trailblazer Award, Impact Award, Donald Shanahan, Don ShanahanComment

MOVIE REVIEW: La La Land

In front of and behind the camera, you will find creative people that deftly understand and properly tap into the spirit and flavor of the classic genres and eras they are blending. Breathing jazzy life into a Hollywood musical set in the present day of Priuses and iPhones, Damien Chazelle’s follow-up to “Whiplash” is a modern cinematic masterpiece. It is the kind of film where you will remember where you were when you first saw it. You will not find a more jubilant, romanticized, or flat-out entertaining film this year.