Assembling this esteemed cast of respected performers, Millers in Marriage pervades more and more audacious questions. While everyone has their share of golden parachutes compared to commoners, the inquiries of who’s jealous, curious, sad, or happy—and with whom—carry plenty of pertinence. Each relationship reaches crucial decision points with those feelings, and the movie unveils who makes the right ones and who makes the wrong ones
Read MoreSomewhere, originality died. Somewhere, someone in charge (disappointing if it’s James Wan with his perceived taste and clout) said “to hell with it” and “what do we have to lose.” By the time this movie ends with a global press conference of Jason Momoa aping Tony Stark with an “I am Aquaman” mic drop, the answer of what is lost is dignity. Go ahead and put a pile of “Road Closed” barricades all over the end of this road.
Read MoreThe western film genre has always had a violent backbone. Even in the sunniest and most heroic of examples, more often that not, we're watching a struggle of survival where it is kill or be killed in a raw rural landscape. We label, separate, and celebrate heroes from villains, but all are killers with only opposing morals and justice of different degrees separating them. The violence is ever present. Few traditional westerns embrace its violent reality. "Bone Tomahawk" surges head first into it with absolute courage and graphic disregard.
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