The keys to the balance on the table are patience and precision. Suspense films with the composure of choosing its show vs. tell spots resonate better than smash-and-slash roller coasters and talkative bores. Chaganty and Ohanian came to Run with a strong premise that had depth of question marks to present behind it. Too many other thrillers never make it past their single starting idea. The duo slow-plays their escalating premise in a film that never seems to run out of constricting connections.
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