Not all actors and actresses are motivated by fame and profit. Some are in it for the performance and chance to share culture through an artistic medium. Before the hey-day of cinema, one such actress captured the fascination of an audience higher than any Hollywood premiere and did so as an ostracized minority. Better yourself with a slice of history to learn about Mary Frances Thompson, or, as she was called on stage, Te Ata.
Read More“The Sex Addict” is tailor-made to serve comedy fans that soak up humor akin to “The Office” and “Parks and Recreation.” The humor is naturally vulgar and dark, which isn’t everyone’s cup of tea. The crowd that will be repulsed can be replaced by those rolling on the floor laughing. “The Sex Addict” is a ways away from the supreme mockumentary exemplars of Christopher Guest, but that’s the perfect plane for Amir Mo and company to aspire to.
Read MoreIsolated survival films have an immense draw. Our self-preservation instincts kick in and we, as the audience, cannot help but hypothetically put ourselves in the same conundrum as the main character. Often these films delve into the preciousness of the life and dabble in the “what does it all mean” direction to pull even more thought and emotion. A few metaphors dipped in symbolism make for nice touches. Regrettably, the peril grinder of “Mine” pounds its not-so-thinly-veiled metaphors repeatedly and insufferably into the ground.
Read MoreIf the Windy City can show us anything, it’s that die-hard Chicago Cub fans come in all shapes, sizes, and ages. More so, fans come from different walks of life, waving flags of different colors, including, best of all, the rainbow-colored variety. “Landline,” from local do-it-all filmmaker Matthew Aaron, is a fun-loving LGBTQ+ comedy merging ardent North Siders with snappy musings on our societal obsessions with technology, all in proximity to the heavenly palace that is Wrigley Field.
Read MoreEvery influential man or woman had a formative period of their life where their impressionable knowledge coalesced into cemented principles that would guide them going forward. The outgoing 44th President of the United States, Barack Obama, is no different. The new Netflix and VOD entry “Barry,” from director Vikram Gandhi, muses on the internal and external catalysts that shaped the then-20-year-old piece of unformed clay into the future leader of the free world.
Read MoreEven with my access to more-than-most with festival coverage and press credentials, I can’t see everything. What I can do is prop up some hidden gems that I was lucky enough to see and review. Here are 16 under-seen winners from 2016. The qualifier for the list was title earning less than $1 million at the box office. They are ranked from highest-scoring review to least.
Read MoreAs a clever and unusual experiment, “Level Up” maintains a sobering edge of straight-faced menace. Set to the electronica of the British musical duo Plaid, any sense of humor is present purely as a WTF moment of reminder of this scenario’s gonzo craziness. Targeting the metaphor of video game violence, once the clues bear fruit and darker confrontations ensue, “Level Up” earns your twisted interest and delivers on its high-concept potential with an adequate amount of thrill.
Read MoreYoung writer-director Drake Doremus has carved out a reputable niche in the romantic drama department. Many of the Sundance darling's films feature a prominent theme of longing love. That motif is on full display and meshed with mindful science fiction in his new film "Equals." Starring Nicholas Hoult and Kristen Stewart and backed by Ridley Scott, the film is making a limited theatrical run alongside a full release on VOD marketplaces. Mindful doesn’t exactly equal poignancy on the scale of desired response.
Read MoreShort films have the unenviable creative and artistic challenge of time limitation. By design, they have a brief window to cut the BS, grab your attention, spin its narrative, and create resonance. Simplicity is key and nuance takes over for sprawl. A razor sharp example of a short film that checks those boxes with raised eyebrows and quick captivation is local Chicago filmmaker Matthew Weinstein’s “The Gun Equation.” His short film plays at the 2016 Blue Whiskey Independent Film Festival which runs from July 24-31 at the AMC Randhurst 12 theater in Mount Prospect, Illinois.
Read MoreWhile watching a film about dysfunctional relationships, regardless of its drama or comedy slant, one cannot help but measure their own relationship against the examples they are observing on screen. The judgmental reactions, either spoken or unspoken, cannot be contained. To capitalize on that drawing power without going to far, frankness and believability become key. Debuting on VOD on June 3, the film festival favorite "BFFs" can call those two storytelling essentials allies and welcomes the fun of esteem-boosting judging.
Read MoreWhen a crime is committed, an unfortunate convergence of fate, luck, and coincidence occrs between people that would otherwise be strangers. The violent and emotional sting of that event then spreads to the family and friends of all parties involved, from perpetrator to victim. Like ripples in a pond, one incident can affect dozens. Actor/director Tim Blake Nelson's new film and fifth directorial feature, "Anesthesia," probes that social reverberation in a provocative way.
Read More"Before We Go" premiered in the special presentation undercard section of the 2014 Toronto International Film Festival and got a second public look at the 2015 Seattle International Film Festival. It landed on Video on Demand in July and finally gets a chance to shine in a limited theatrical release starting on September 4. Borrowing way too much from the "Before..." series works of Richard Linklater to be a flattering mild homage or influence, "Before We Go" is a cute, approachable, yet flawed romantic comedy. The weak chemistry can't match an innate charm to honor its simple premise.
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