Matching the shared praise shown within the journalism realm from that heart, there’s an automatic level of respect demanded and earned by Kate Winslet. Her clout as an actress equals her commitment to the difficulty of this role in Lee. Knocking on the door of 50 years old, Winslet nevers wastes a scene of this plum opportunity. The very same can be said of the moral foil and intrepid shadow portrayed by Andy Samberg as Scherman. The frequent funnyman capably uncorks his first dramatic film role with absolute reverence for the true and vigilant representation his character involves and embodies.
Read MoreSimon Curtis’ Goodbye Christopher Robin is a cinematic quilt collecting experiences from many different narrative themes. A few patches carry the pattern of biographical films, chronicling life’s highlights and lowlights within a well-to-do family and their hired caretaker. Others carry the created images of a writer’s world-building legend. The threads binding those quilt pieces are a woven blend of the barbed wire of post-traumatic stress disorder and the smoothly silken cords of childhood whimsy. The experience of snuggling up with the Goodbye Christopher Robin blanket of testimony and memories is as affectingly dramatic as it is comfortably warm.
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