Joe Swanberg is a leader of the "mumblecore" movement, which primarily employs naturalistic everyday settings with improvisational dialogue and a loose story structure. Such an approach has been found to be a double-edged sword of open-endedness. Either it's fresh and interesting enough to keep you guessing or it's maddeningly lost and too unstructured for not really coming to a conclusion or making a point. This film adds another miss to the list for Swanberg. This writer loves what he stands for, but hates the underwhelming results.

MOVIE REVIEW: Z for Zachariah

Playing concurrently in limited theatrical release and on Video On Demand outlets after debuting at January's Sundance Film Festival, "Z for Zachariah" is based on Robert C. O'Brien's 1974 novel of the same name. Written in the form of a diary during the paranoid peak of the 1970's, the post-apocalyptic novel reverberated with tension and clashes of survival. Even with a trio of talented actors that turn heads, you would never know such crackle existed from the resulting film that falls flat at every turn.

EDITORIAL: Movies and the 9/11 impact

UPDATED: September 11, 2015 with updated and new movie inclusions (after original post on the 10th anniversary in 2011) and a new section of faded and relaxed sensitivity. I plan to make this an annual post and study.

MOVIE REVIEW: Before We Go

"Before We Go" premiered in the special presentation undercard section of the 2014 Toronto International Film Festival and got a second public look at the 2015 Seattle International Film Festival. It landed on Video on Demand in July and finally gets a chance to shine in a limited theatrical release starting on September 4. Borrowing way too much from the "Before..." series works of Richard Linklater to be a flattering mild homage or influence, "Before We Go" is a cute, approachable, yet flawed romantic comedy. The weak chemistry can't match an innate charm to honor its simple premise.

COLUMN: 2015 Fall Movie Preview

After the traditional summer movie season of blockbusters, the following fall movie season tends to be a lull and a letdown before the next round of event films and the awards contenders fill up the months of November and December. September is normally filled with rejects that weren't big enough for summer and not good enough for the holidays. With Halloween capping October, the darker stuff tends to fill that month. That's been the trend but the climate is shifting like the season. It is with great surprise that this fall movie season, on paper, is shaping up to be truly legitimate.

GUEST CRITIC #12: Shaun the Sheep

For me, this is a very special edition of my "Guest Critic" series. It is a return for two very special little boys who have grown up before my eyes. Hop in to get reacquainted with Patrick and Nate!

MOVIE REVIEW: No Escape

"No Escape," the rudderless and violent thriller can't muster a strong political statement to back up what it's selling. This is a horror film disguised as an expat drama. To its credit, the action is unpredictable, unnerving, and flies at a white-knuckle pace. However, its purpose and delivery is senseless and nearly reprehensible. It lacks the spine to make the proverbial wringer the characters are put through matter in some way, shape, or form outside of exploiting our fears and senses. "No Escape" undoubtedly has an edge, but it's a raw and misshapen one.

MOVIE REVIEW: The Man From U.N.C.L.E.

Because of the box office clout of James Bond and Ethan Hunt and plenty of failed imitators in between, "The Man From U.N.C.L.E." and its small stature roots already have difficulty standing out as a ripe property for viable franchise possibilities. It would have to hit on its own unique style to succeed and stand out. Ritchie's film does exactly that to be an easy and breezy companion to the foreboding likes of the modern spies. If you feel the spy game has gotten too ominous over the years, slide over to "The Man From U.N.C.L.E." and have a good time.

MOVIE REVIEW: Shaun the Sheep

In the current cinematic landscape filled with modern technology and instant gratification, there is a lost appreciation for hand-done work. Traditional animation, stop-motion, and claymation have become a dying art form with the advent of computer animation and modern tools. It's easy to look past the old and simple in favor of the new and shiny toy, but sometimes the old and simple can show up the new and pretty with ease. That's the beauty of something like "Shaun the Sheep."

CHECKLIST: 2015 Fall Movie Calendar

Thank you for all of your patience with my long month of August travel for work. Things are slowing down and I'll be catching up soon. Looking ahead, the 2015 fall movie season is just around the corner. My full and complete preview will be coming soon, but here's a calendar and checklist of the upcoming season's releases. Print this, slap it on the fridge, or fill you calendar!

MOVIE REVIEW: Mission: Impossible Rogue Nation

There are certain things Tom Cruise does absolutely right and playing Ethan Hunt is one of them. Like him or not as a person outside of the multiplex, Cruise remains the undisputed and penultimate action star in the world today, if not in all of the history of cinema. He pushes the envelope like no one else and, as a producer in this series, he puts his money where his safety harness is. What he dares to do on-screen pays off in superior results.

MOVIE REVIEW: Vacation

To this writer, the success of a remake, reboot, or sequel is contingent upon matching the tone of the original work to the best of its ability. If a film gets that tone right, it can be a drastic revision full of changes and updates and still feel respectfully aware and in tune with the previous well-remembered greatness the new film is trying to emulate. That's the taste test that should be put on "Vacation," the new long distance sequel/update of the 1983 National Lampoon comedy classic.

EVERY MOVIE HAS A LESSON

by Don Shanahan

BRINGING YOU MOVIE REVIEWS AND MORE SINCE 2010

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