Marvel’s brand-new foray into episodic television with WandaVision playing in Disney+ has brought out a first for me here on Every Movie Has a Lesson, namely talking television instead of movies. Ask anyone who knows me as a long-time cable cutter. I don’t consume anywhere near the content volume of the average viewer. Getting to talk about comics-based fun with “Earth’s Mightiest Critics” the way we do after movies created an easy exception to give TV a try. Each week, Ian Simmons of Kicking the Seat will host our usual quartet, including myself, Emmanuel Noisette of E-Man’s Movie Reviews, and David Fowlie of Keeping it Reel, conducting LIVE “wecap” shows on YouTube. Catch us every Friday at 8:30pm CST!
Read MoreBack in December, I took my place among “Earth's Mightiest Critics” on Ian Simmons’ YouTube channel for Kicking the Seat to close out 2020 with the bizarre and divisive Wonder Woman 1984. Myself, Ian, David Fowlie of Keeping it Reel, and Emmanuel Noisette of E-Man’s Movie Reviews threw our lassos around the mixed back of a sequel. Enjoy our spoiler-packed round table digs into comics origins, missed opportunities, surprisingly effective heart-over-head moments, and the down side of politically charged comic-book movies.
Read MoreNothing seems to define 2020 like a long sigh and a deep breath. This past year likely makes the record books with all kinds of trivia nuggets and asterisks. Folks didn’t get to see all the movies they hoped for, but I’ve been telling people all year that “absence makes the heart grow fonder.” The last movie I saw in a theater was Onward on March 2nd, adding up to 304 days (and counting since) without a visit to the big screen. Sure, I miss it as a guy that used to go out 2-3 times a week, but movies can wait and so will I. After all, we’re surviving a pandemic and movies count as #firstworldproblems.
Read MoreMa Rainey’s Black Bottom, directed by George C. Wolfe and adapted from August Wilson’s stage play, dominated this year’s CIC Awards, winning seven of its nine nominations. Topmost, the Netflix original film was named the Best Studio Film in a tie with another offering from the streaming leader, Best Director winner Spike Lee’s Da 5 Bloods. Ma Rainey’s Black Bottom also won awards for adapted screenplay, lead actor, lead actress, ensemble cast, costume design, and makeup.
Read MoreBy Kevin Gardner
It is always strange when you are watching an old movie and see a far-fetched scenario that has since played out in the real world. Did the movie writers have privileged information about some new gadget? Maybe a child who watched that movie was inspired and grew up to design something similar. Either could be possible. On the other hand, there are some movies that predict social issues and world events that nobody could have imagined.
Read MoreNearly every artistic element of Pieces of a Woman holds a fixation with its lead Vanessa Kirby and rightfully so. Co-stars encircle her aura hoping to get closer. They are met by a lithe posture contorted in guarded torment that holds back their approaches. Her icy blue eyes, arched by her dark eyebrows, hold dry from tears, hang open while lost in thought, and project stares when attention is gained. Of all the points of focus captured by director Kornél Mundruczó, Kirby’s hands are purposefully watched the most. Historical quotes keenly remind us “idle hands are the devil’s workshop” and “nothing good comes from boredom.” Pieces of a Woman finds places to condone those vices.
Read MoreAt the tipping point in Shadow in the Cloud when action becomes necessary to confront mounting threats, it is a lone woman surrounded by chauvinistic men that doubtlessly steps up above all others. Pushed to fight or flight, she’s going nowhere and her battle cries are “You’ll see what I’m capable of!” and “You don’t understand how far I will go!” Fellas, be afraid. Don’t dare cross a determined woman, no matter their size, age, or profession. They have outright toughness most cannot fathom.
Read MoreLeading all films with an impressive nine nominations is Netflix’s Ma Rainey’s Black Bottom helmed by Best Director nominee George C. Wolfe and starring acting nominees Chadwick Boseman and Viola Davis. Following next with seven nominations each was David Fincher’s Mank and Aaron Sorkin’s The Trial of the Chicago 7, both also hailing from Netflix. In all, 45 different films are represented with nominations for the 2020 CIC Awards.
Read MoreDespite the overall crappiness of this year, 2020 has been the 10th anniversary of this website Every Movie Has a Lesson. I didn’t start this endeavor until May of 2010 and, when the end of the year rolled around, I didn’t have a complete “sample size” or body of work, so to speak, to write a proper “10 Best” list. Missing that chance has always bothered the completist in me. I’ve been meaning to fix that and this little anniversary seemed like the right time, especially after charting a “best of the decade” list a year ago at the close of the 10s. So, turning back the clock a decade, here are my “10 Best Films of 2010.”
Read Moreby Christopher D. Childs
In 2010, 63-year-old Sylvester Stallone had a brilliant idea: throw a bunch of veteran action stars all into one movie and then crank up the testosterone. Thus The Expendables was born. The film pulled in more than $220 million worldwide and spawned a sequel, The Expendables 2, which allows the franchise to pull in even more action stars. Some of these guys are heading into senior citizen territory but so far none is using a walker to kick some ass. So here's a list of the most indispensable films representing each of these iconic Expendables action stars.
Read Moreby Daniel T. Anderson
What would you guess to be the most profitable action movie franchise of all time? If you had to choose one, which would it be? Mission Impossible? The Pirates of the Caribbean? The Matrix films? Reporting on these sorts of box office results is typically pretty simplistic. We're told the amount of money a film made domestically (and sometimes internationally) and how much the film cost to make. The difference is supposed to be the profitability. However, determining real-life profitability is much more complex.
Read Moreby David Hoang
Adapting TV shows to movies hasn't always been popular. Hollywood initially looked at TV as competition fearing it would keep people at home and away from the theater, so studios weren't eager to suggest that there were small screen shows worthy of big screen attention. But TV didn't bring the demise of movies and studios eventually came to realize that TV audiences were worth tapping into. So here are the best of the films based on TV shows.
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