MOVIE REVIEW: The Shallows

“The Shallows” gives Blake Lively the chance to not only prove she’s more than a Hollywood hot body, but also one-up her husband Ryan Reynolds in survival film department next to his little 2010 gem “Buried.” Prominent click bait out there will have you believe that “The Shallows” is the best shark movie since “Jaws.” That bold statement is a bit of overrated hyperbole. “Open Water” and “Deep Blue Sea” might have something to say about that. However, there more than enough impressive rush and originality from “The Shallows” to stand out in a crowded summer marketplace of retreads and sequels.

MOVIE REVIEW: Free State of Jones

Since Hollywood has become a hit-generating factory more than a garden of artistry and truth, a historical drama film like “Free State of Jones” only has to raise its barometer to a midpoint of “good enough.” That is because there is nearly unwinnable tug-of-war of disservice between history lessons and entertainment value, especially when your poster reads “based on a true story.” Veer away from the facts too far with dramatic license and the film becomes disingenuous. Veer too close to history without cinematic flashiness and no one will pay to see it. “Free State of Jones” falls somewhere in the middle of that mud pit.

MOVIE REVIEW: The Wait (L'attesa)

The award-winning Juliette Binoche is one of those actresses who can captivate an audience in complete silence. Binoche has long been a reflective master of inflection and nuance. She doesn’t have to say a word to convey the waterfall of thoughts an end emotions going on within her characters. She is a true artist for performance and the latest proof of that is her staggering dramatic role in “The Wait,” the directorial debut of Italian filmmaker Piero Messina.

MOVIE REVIEW: Sunset Song

Beloved in its homeland of Scotland, Lewis Grassic Gibbon's 1932 novel "Sunset Song" is revered for its detailed and poignant tale of peasant life and the place of women during the transitional times of the early 20th century. The novel has been a long-gestating passion project for highly regarded British filmmaker Terence Davies. Brought to life with moments of 65mm grandeur, his sumptuously crafted and carefully refined film adaptation is another jewel in the filmmaker's crown, though one not without its source material's difficulties.

MOVIE REVIEW: BFFs

While watching a film about dysfunctional relationships, regardless of its drama or comedy slant, one cannot help but measure their own relationship against the examples they are observing on screen. The judgmental reactions, either spoken or unspoken, cannot be contained. To capitalize on that drawing power without going to far, frankness and believability become key. Debuting on VOD on June 3, the film festival favorite "BFFs" can call those two storytelling essentials allies and welcomes the fun of esteem-boosting judging.

MOVIE REVIEW: The Nice Guys

"The Nice Guys" unleashes an arsenal of off-beat traits and playful banter available to every character and situation large and small. Calling it a loose cannon is both a criticism and a complement. Though it can veer off of the rails to some scatterbrained wheel-spinning that pushes limits of tolerance and believability, the screenplay from Black and first-timer Anthony Bagarozzi delivers its muckraking mystery with a canny enough level of perpetual action and a clever humor.

DOCUMENTARY REVIEW: June Bride: Redemption of a Yakuza

"June Bride: Redemption of a Yakuza" presents an international alternative to the Scared Straight programs that have become a fascination here in the United States. No, not this one (though enjoy a quick laugh), but prison initiatives like those chronicled in A&E's popular "Beyond Scared Straight: Success Stories. Rather than bombard subjects and audiences with fear, one man in Japan finds faith to be the greater answer.

MOVIE REVIEW: Captain America: Civil War

The absolute proof of the intact Marvel formula is the elevated scope and confidence given to "Captain America: Civil War." Spinning as a dual sequel to 2014's "Captain America: The Winter Soldier" and last year's "Avengers: Age of Ultron" and following the darkly-operatic-yet-similarly-premised competitor "Batman v. Superman: Dawn of Justice," this film survives a few glaring imperfections and overweight ambition to maintain the Marvel flagship. It plays it safe because it knows safe works for their brand and satisfies the masses. They know they're getting their cash registers out and hiring extra accountants. To others looking for more risk, you've come to the wrong place.

MOVIE REVIEW: Dough

If you take one look at the doctored-up theatrical poster for the independent film "Dough," you might get the impression of an absurd weed romp to come. Very quickly within John Goldschmidt's film, you will see the depth behind the film's comedic costume. For better or worse, "Dough" is a strong mentor-mentee film that just happens to have a special funny ingredient in its cooking that adds wrinkle and flavor.

MOVIE REVIEW: The Playground

In "The Playground," ominous storytelling speaking of kingdoms, favor, covenant, cleansing, and benevolence using a "Jack and Jill" analogy spoken by a mostly unseen middle-aged man to a girl alone on a titular schoolyard comprises the auspicious start to a societal microcosm hanging in the balance. Director Edreace Purmul's intriguing new film and second feature dives towards such high-minded territory of dark omens. "The Playground" recently won Best Film honors from Film Consortium San Diego at their 2016 San Diego Film Awards.

MOVIE REVIEW: The Jungle Book

By employing all of the bells and whistles of today's digital effects and key frame animation, director Jon Favreau's live-action reimagining of Walt Disney's adaptation of Rudyard Kipling's "The Jungle Book" sets its own stage very quickly to put adventure and peril first and foremost. The groovy and memorable song-and-dance numbers from the original's 1967 soundtrack are forever revered as the leading component of the traditional animated classic's charm. Those episodes of music have been trimmed from six songs to about two-and-a-half. Ferocity steps ahead of frolic and you might ask yourself how you feel about that when you watch "The Jungle Book."

MOVIE REVIEW: Marguerite

Do we all remember the infamy of William Hung from 2004? You should. Take William Hung, turn back the clock 80 years, and, here's the kicker, give him a judging audience that won't tell him he's bad. If you can do that, you can step into the foreign film "Marguerite" from French director Xavier Giannoli playing now at the Landmark Theater locations in Lincoln Park and Highland Park. Divided into five chapters, "Marguerite" is an immersive character study into a would-be singer's obsession with talent.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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