The answer to how to make an appealing biopic about an unsavory character is to have a hell of an actor or actress embody them. After that, The Apprentice strives strongly in its quest to expose and air out a few dirty laundry chapters of Donald Trump’s past. Very few punches are pulled, creating a– needless to say– a purposefully unflattering portrait of the recent President in his virile younger days. It’s easier said than done to divorce the external politics and take this in as only a movie.
Read MoreMatching the shared praise shown within the journalism realm from that heart, there’s an automatic level of respect demanded and earned by Kate Winslet. Her clout as an actress equals her commitment to the difficulty of this role in Lee. Knocking on the door of 50 years old, Winslet nevers wastes a scene of this plum opportunity. The very same can be said of the moral foil and intrepid shadow portrayed by Andy Samberg as Scherman. The frequent funnyman capably uncorks his first dramatic film role with absolute reverence for the true and vigilant representation his character involves and embodies.
Read MoreThe Secret Art of Human Flight hovers on perilous edges with this premise and its trappings, shot in a claustrophobic Academy ratio. At many moments, there’s humor to be found in a bespectacled Ben getting whipped into airborne shape by Mealworm’s unorthodox methods for doing so. Grant Rosenmeyer and Paul Raci share several scenes of poignant soul-baring talks forming the character reclamation project taking place.
Read MoreIf everything and everyone fell into place at the same time, we wouldn’t have a rapturous movie to enjoy, meaning the patience for that chase of schedules is part of the romance genre’s whole appeal. Directed by a returning professional in the department of silver screen love, Richard LaGravense, A Family Affair understands these principles well and bends them to its will and modern sensibilities.
Read MoreTherein lies the real key to unlocking a memorable conversation higher than chit-chat: Mood. Two people– not just one– have to want to talk. One person can have all the wisdom in the world or be a fountain of entertainment, but the other will never know it if genuine curiosity and investment aren’t reciprocated. Daddio doesn’t lose a second introducing a pair of differing dispositions prime for participation and initiative.
Read MoreMidas writer-director TJ Noel-Sullivan, making his feature-length debut after an award-winning early career in shorts, is savvy to realization and has formulated a slick new heist film fit for modern times. Noel-Sullivan also knows that today’s Robin Hoods are not going after miserly members of royalty hoarding all the proverbial gold. The current people of the highest wealth and power control companies, not countries. They are the despised new targets.
Read MoreThat is the imperfect and crooked road taken by Ezra helmed by actor/director Tony Goldwyn (The Last Kiss, Someone Like You). The sincere film dives into the complicated dynamics within the extended family of the titular young boy. Embodied by pre-teen neurodiverse actor William Fitzgerald in his feature film debut, Ezra is diagnosed with autism and is indeed the kind of apple where the tree that bore it demands its own attention.
Read MoreNo one wins in a civil war. Apathy exists and wins instead through a constant mood of nearly callous disillusionment. On the other hand, if you don’t need the spoon-feeding and welcome your own search for the rational or irrational that could be dirty or delicate at any moment, Civil War may be the ideal type of havoc to dissect.
Read MoreRiddle of Fire introduces audiences to the fictional town of Ribbon, Wyoming. As the camera stays wide to soak in the idyllic Utah vistas, captions styled in a Tolkien-esque font speak of faery castles, swords, knights, squires, and kindred spirits. Those thematically chosen words and the mystical synth musical score by Hole Dweller enunciate that we’re in for a sinuous fairy tale of a wholly different sort because of who, thanks to the W. C. Fields quote, is presented as the heroes of this fable.
Read MoreThe Animal Kingdom manifests a present-day landscape where an unexplained divergence of evolution has been causing citizens to gradually metamorphose into animal-human amalgamations. Set in the modernized nation of France, these occurrences over the last two years are being treated and investigated like a disease or contagion. This precariously established environment of mutations puts director Thomas Cailley’s film closer to the disturbing pages of H. G. Wells than some uncanny Marvel comic adventure.
Read MoreLeaning on this hastened and rapidly emptying hourglass, Michael Keaton has formed a dramatic backbone in Knox Goes Away that is simultaneously blunt and poetic. Composer Alex Heffes (Mamma Mafia) floats a muted trumpet score cue that shapes a grim and fittingly noir vibe between the soft scene-to-scene camera fades. That said, as insightful as it strives, this is still a dive into the spine of a faithless killer, a person distant from the complete sincerity of a hero.
Read MoreKung Fu Panda 4 is indeed a mildly maligned fourth movie going up against the aforementioned poor track record. While Kung Fu Panda 3’s culmination involved Po becoming a Grand Master of kung-fu and chi across the Spirit and Mortal Realms, no one is ranking the 2016 movie next to Toy Story 3 or Indiana Jones and the Last Crusade in the pinnacle department, meaning a fourth movie should be reasonably welcomed without any sacrilegious blowback
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