MOVIE REVIEW: Sgt. Stubby: An American Hero

The filmmakers and artists at Fun Academy Motion Pictures answered that line of questioning the best way it ever can be: with a true story. Even better, they do so with a dog, in a humdinger of a tale far beyond a click-bait or “stop me if you heard this one” trivia that needs to be seen to be believed. Sgt. Stubby: An American Hero proves beyond a shadow of a doubt that authenticity always earns appreciation. It’s even better when it resonates. This movie earns both. Discover something astonishing and adorable at the same time.

2018, 2020, 4 STARS, Independent Film, MOVIE REVIEW, PodcastDon ShanahanFebruary 4, 2020Comment

MOVIE REVIEW: Troop Zero

To rightly thumb its nose at the historically warped expectations of young ladies, Troop Zero may not be high-minded cinema. What it is, however, is high-hearted entertainment. That calls for trite covered in treat. Put this movie in front of any girl, hell, any kid period, that’s been demeaned about their differences or forced to conform to supposed societal standards. Let them watch this movie, smile, and stitch their own sash or freak flag to be proud of.

2020, 4 STARS, MOVIE REVIEW, Independent Film, StreamingDon ShanahanJanuary 22, 2020Comment

MOVIE REVIEW: Clemency

All the while, here is Alfre Woodard staring holes through the most leaden armor. If the Oscars were to come calling, and they should if they had any sense, it would be Alfre’s first nomination in 37 years (Cross Creek) and her first leading one. Her hefty performance steps deeper into the accumulating difficulties that have come to beset the unflappable leader she portrays. Her character has to show collapse, but the performer never falters her requirements. Alfre is beyond compelling in taking on all of the destructive darkness this character envelopes around us all.

2019, 2020, 4 STARS, Film Festival, Chicago Film Festival, Independent Film, MOVIE REVIEWDon ShanahanJanuary 10, 2020Clemency, Alfre WoodardComment

MOVIE REVIEW: Just Mercy

There is a certain steadiness to Destin Daniel Cretton’s new film that pushes back those gaudy tendencies. Its central real-life figure Bryan Stevenson is not the firebrand type most legal movies typically adore and request. Played by Michael B. Jordan, in a fitting and matured leading role for the muscled actor, Stevenson is not made to be something he is not. His real-life story and iron will principles are not smudged just to show a little pizzazz for the sake of pizzazz.

MOVIE REVIEW: The Two Popes

They may “play for the same team,” if you will, yet there is a rhetorical battle of divine wills and egos. Sizing each other up, there is zero agreement between the two, who could not be farther apart philosophically, politically, or personally. But, to see the respect, oh my, the respect, being shared is like a balm of hopeful covenant all its own. Powered by two impeccable performances, there is truly something marvelous to see these powerful men reach a true “meeting of the minds.” The Two Popes is available now streaming on Netflix after a brief theatrical run.

MOVIE REVIEW: Ford V. Ferrari

For James Mangold’s sterling sports film, take your thesaurus toolbox and dump out all the synonym wrenches for the word “hubris.” This is a thrilling race of arrogance as much as it is one of high-performance automobiles. The acts of vanity, audacity, chutzpah, conceit, cockiness, insolence, nerve, pomposity, and exceptionalism fill every metallic and non-metallic element. All of this tuned-up and torqued testosterone makes for a one hell of an entertaining show.

2019, 4 STARS, Chicago Film Festival, MOVIE REVIEWDon ShanahanNovember 17, 2019AMC River East 21Comment

MOVIE REVIEW: Lady and the Tramp

This new film is a wise and modest update to one of Disney’s best romances of its Silver Age. By utilizing actual dogs, many of which are rescued pets at that, with a mild computerized varnish, feels more tangible than fake in one of these Disney re-imaginings for the first time in a long time. This restraint of creative prudence is what defines its humble disposition and winning achievements. All year long, its mainstream blockbuster peers tried every costly artificial and technological height to be a blaring chorus of bells and whistles, when all that was really needed were some cute, real animals backed often by a swanky band.

2019, Home Media, MOVIE REVIEW, Video on Demand, Streaming, 4 STARSDon ShanahanNovember 12, 2019Comment

MOVIE REVIEW: Miss Virginia

One does not have to dig very far on an internet search to find pressing current issues in American’s public education system. In an eye-opening and apropos way, there are so many that Education Week magazine maintains an active A-Z list to sort and track them. You could sing “The Alphabet Song” and ring a bell on just about every letter for matching examples from the real-life inspiration of Miss Virginia chronicling the emergence of school advocate Virginia Walden Ford.

2019, 4 STARS, Independent Film, MOVIE REVIEW, Video on DemandDon ShanahanOctober 23, 2019Miss Virginia, Uzo AdubaComment

SHORT FILM REVIEW: Loyalty

As a school teacher by day beyond this role as a film critic, let me say that there can never be enough messages sent about the troubling epidemic of bullying. All are necessary. All are helpful. We need every personal testimonial. We need every pamphlet. We need every artistic measure of expression that can gather attention, provoke thoughts, and change a few hearts. The Chicago-made short film Loyalty from filmmaker Ira Childs is one of those necessary contributions. The short recently played at the 25th Black Harvest Film Festival at the Siskel Center.

VINTAGE REVIEW: The Untouchables

History and popularity have been kind to Brian De Palma’s crime movie achievement. The American Film Institute nominated the movie in five categories (Movies, Thrills, Hero, Villain, Film Score, and Gangster Film) during its “100 Years” series last decade. Then and now, The Untouchables earned a city’s pride and spurred new popularity to the Capone legend. Its success also fueled a star’s rise (Costner), secured another’s lasting legacy (Connery), and reminded audiences just how sharply talented its steward was. Once the end credits hit and Morricone plays us all out, you can also feel Brian De Palma channeling tough-guy Jimmy Malone with a “here endeth the lesson.” The hitmaker never lost his edge.

2019, 4 STARS, Home Media, MOVIE REVIEW, Social Media, RetrospectiveDon ShanahanSeptember 22, 2019The RookeryComment

MOVIE REVIEW: Auggie

There is a fine line when using the verb “titillate.” Broadly, the word can simply mean “excite” or “thrill.” Taken more seriously, the word sharpens closer to “arouse” or “stimulate.” Context, ahem, is key. Auggie, the feature directorial debut of actor Matt Kane, walks that fine line of titillation and deftly blurs where to place its context on that line. This shrewd and stellar work creates a viewing effect in Auggie that tantalizingly bounces your comfort level between intimacy and voyeurism. This moral rattler deserves attention and praise as indie gem.

2019, 4 STARS, Independent Film, Video on DemandDon ShanahanSeptember 21, 2019Comment

MOVIE REVIEW: Ad Astra

That throbbing level of staggering aura occurring parallel to poignant familial intimacy in Ad Astra is remarkably captivating. This is an accomplishment of contemplative science fiction that is felt in your core as much as it pours wonderment in your eyes. The high concept space opera vibes and the melancholic musings have been stretched and exploited further in other cinematic offerings within this fictional discipline. Nevertheless, the sharpness of execution here is something to behold with plenty of profundity to absorb and impress.

2019, 4 STARS, MOVIE REVIEW, Film FestivalDon ShanahanSeptember 18, 2019Kerasotes ShowPlace ICON X Comment