MOVIE REVIEW: Spotlight

The extraordinary new film "Spotlight" answers the motivating historical benchmark set by "All the President's Men" nearly four decades ago to make a truly transcendent film about real print journalism and true history. Chronicling another Pulitizer Prize-winning case of investigative journalism, director Tom McCarthy's fifth directorial effort is nothing short of a new masterpiece. "Spotlight" is, far and away, the best film about the media since Clooney's "Good Night and Good Luck" and the best about print journalism since Pakula's landmark classic. This film will make people rewrite "best of" lists.

ADVANCE MOVIE REVIEW: Brooklyn

"Brooklyn" is an forthright, approachable, and esteemed historical drama where the dignity and honesty soar to heavenly heights to shine on the plights of love and independence. This tremendous film nestles a powerful love triangle within a touching immigrant and independent woman's saga from the 1950s. More than just being some high-end chick flick, "Brooklyn" stands as one of the finest films of the year and an immediate Oscar contender.

MOVIE REVIEW: Room

"Room" is, without a doubt, one of the most resonating and difficult films this writer has ever seen. It is a "welcome to my world" scenario that no one should ever have the unfortunate ability to match with full empathy that comes from shared experience. For it to transcend that and blossom to enrapture you the way it does is something completely spellbinding. You will not find a more powerful film experience this year.

ADVANCE MOVIE REVIEW: Steve Jobs

"Steve Jobs" chronicles soul-bearing small measures of the real man behind the public persona of genius. The blood feuds and many glorious shouting matches deliver one narrative bombshell after another. Using a unique three-act structure, the artistic result is nearly perfect. Superior to its peers in so many areas of technique and performance, "Steve Jobs" stands boldly as one of the finest films of 2015.

MOVIE REVIEW: Sicario

"Sicario" is a raw labyrinth of grit and surprises. This film is a python of suspense. Just when you think the film can't squeeze you any tighter, it chokes you even more. It resets the bar as the best and finest film on drug warfare that Hollywood has ever attempted. "Sicario" is steely, seedy, scary, and jarring in its underlying social and political commentary to bore that out. It's the kind of film that will make you never want to visit Mexico or live in Arizona or Texas.

MOVIE REVIEW: The Martian

Simply put, "The Martian" from director Ridley Scott and headlining star Matt Damon, is a great survival film. It strikes all of those aforementioned chords of survival essence and entertainment. Giving it the easy labels of "Castaway in Space," "Robinson Crusoe: Astronaut," "Interstellar without Nolanism," "Apollo 13 on Mars," or "The Next Gravity" sells it too short. "The Martian" doesn't need to borrow anything from those five notable survival film stories and can stand confidently aside, or even above them, as an exemplar all its own in the genre. Meet what is sure to go down as one of 2015's best films.

MOVIE REVIEW: Me and Earl and the Dying Girl

By tackling the subject of cancer and doing so in the guise of a quirky high school comedy, "Me and Earl and the Dying Girl" stands out as proof that a movie can be earnest and humorous at the same time. It can be understated in one moment and then completely outgoing the next. It is a film that can feel facetious and yet still be profound. It takes the modern high school setting that is deliberately riddled with innate tropes, stereotypes, and cliches and masterfully steers around every single one of them to offer you something smart, touching, and, most of all, original. That is no small feat and something to stand up and celebrate.

MOVIE REVIEW: Inside Out

The prevailing feeling has been that the hallmark extra level of magic and poignancy that used to be Pixar's calling cards have been lost while they milked dollars from lackluster sequels and prequels like "Cars 2" and "Monsters University." We have missed the visual originality from "Monsters Inc." and "Cars." We have missed the sense of wonder from "Wall-E" and "Ratatouille." Most of all, we have sorely missed the strong familial dynamics of the "Up," the "Toy Story" series, and "Finding Nemo." "Inside Out" is exactly the redemptive return to form that Pixar desperately needed. The film rivals each of those prior greats in each of those areas. This is exactly what you loved and were missing while being something truly great that can stand on its own merits.

MOVIE REVIEW: Far from the Madding Crowd

The prose and tasteful passion captured by the classic writers then put the tawdry and repetitive theatrics of today's writers to shame. In that same regard, so too do solid film adaptations that tap the proper classic roots. "Far from the Madding Crowd" is a stellar example of this. Permeating with possibilities and charged with the right measure of passion in every engrossing layer, Danish director Thomas Vinterberg's film stands head and shoulders above the feeble likes of today's lesser efforts of cinematic literary romance. It's cliche to say, but they don't make them like they used to and this film proves it.

MOVIE REVIEW: '71

Even as a little movie that most aren't going to see, let along hear of, "'71" enters my scorecard as the first great film of 2015. This is one is going to get remembered all year on this website. It will make the half-way "Best of 2015 (so far)" list in late June and will hang around until the year-end. Like my fervent love of "Whiplash," I may have found another hidden gem to stump for.

MOVIE REVIEW: Selma

"Selma," whose name echoes the history being told, is one of those films that gets history right, honors it, entertains you without sacrificing the real thing, and moves you to no end. Anchored by an amazing lead performance from David Oyelowo as Dr. Martin Luther King, Jr., "Selma" has the ability to break and shatter the hardest of souls, thicken your pulse, and devour your tissue box. The experience is entirely worth all of that trouble. Best of all, it earn that emotion from you. Dare I say, "Selma" might be even better than last year's Best Picture winner "12 Years a Slave." That's the level of impact we're talking about.

ADVANCE MOVIE REVIEW: American Sniper

Go right now to YouTube and play the trailer for "American Sniper." First and foremost, THAT'S how you do a trailer. That's how you tease a film, still name drop who you need to, and set the stage without giving a shred of your film away. Second, after watching it, tell me you were surprised to see a name like Clint Eastwood's attached to a film with that kind of setting and tension. You wouldn't be alone. In many ways, "American Sniper" is new territory for Clint Eastwood will still retaining his signature hallmark of grit and heart.

EVERY MOVIE HAS A LESSON

by Don Shanahan

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