The films of Edgar Wright pulse with a signature flair for visual comedy built on wildly imaginative stylings in the areas of music, framing, camera movement, sound effects, and editing. His creative trickery wins for looks, but it also constantly advances the storytelling at hand. For that and so much more, Baby Driver is first-rate example of a kinetic film and joins the top ranks of Wright’s filmography.
Read MoreFull disclosure, my goal in this review is to use as many synonyms as possible for the words “ridiculous” and “entertaining.” The range between those two attributes comprises the pendulum swing of “The Accountant,” the latest Ben Affleck-led actioner from “Warrior” director Gavin O’Connor. The film has a dual personality between the entertaining and ridiculous that weaves through every component and cuts to its core.
Read More"Sicario" is a raw labyrinth of grit and surprises. This film is a python of suspense. Just when you think the film can't squeeze you any tighter, it chokes you even more. It resets the bar as the best and finest film on drug warfare that Hollywood has ever attempted. "Sicario" is steely, seedy, scary, and jarring in its underlying social and political commentary to bore that out. It's the kind of film that will make you never want to visit Mexico or live in Arizona or Texas.
Read MoreBy tackling the subject of cancer and doing so in the guise of a quirky high school comedy, "Me and Earl and the Dying Girl" stands out as proof that a movie can be earnest and humorous at the same time. It can be understated in one moment and then completely outgoing the next. It is a film that can feel facetious and yet still be profound. It takes the modern high school setting that is deliberately riddled with innate tropes, stereotypes, and cliches and masterfully steers around every single one of them to offer you something smart, touching, and, most of all, original. That is no small feat and something to stand up and celebrate.
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