Underneath the on-screen actions in director Mark Sobol’s dynamic short film The Photographer, the motif of voyeurism is dissected from a presented theory. A male narrator orates an internal monologue opening on the notion “a subject is so much more beautiful when it doesn’t know its being watched.” Assigning beauty to a moment that is not the observer’s to share in begs a few life lessons.
Read MoreHere in Episode 2 of “Connecting With Classics”, Feelin' Film's Aaron White, guest host Josh Effengee from LSG Media’s Science Fiction Film Podcast, and myself celebrate Valentine’s Day by discussing a film that is considered one of the greatest love stories ever told. Casablanca checks in at #3, NUMBER THREE!, on the AFI Top 100 10th Anniversary list. This is definitely a beloved classic, my own #1 all-time favorite movie, and we have a great conversation about its quality as a film and all of the ways it has resonated with us emotionally.
Read MoreFor any MCU film to do this leader and his civilization justice, it has to capture the traits of dominance. Ryan Coogler’s film accomplished that and then some with a stature and ferocity fitting of the comic book legend. Pushing aside the proclivity to have a empowered science nerd or a plucky quipster as its heroic lead, a Marvel film hasn’t been this brawny, righteous, and tough since Captain America: The Winter Soldier. Black Panther strides proudly and powerfully with every progressive step as one of the best MCU films we’ve ever seen.
Read MoreBrimming with cinematic and family-themed amusement and timeless with the effectiveness of that lead lesson no matter the audience, Paddington 2 is an genuine delight on multiple levels. With the origin story out of the way, the sequel expands and improves on the cheeky magic of its 2014 predecessor to dive into greater merriment, adventure, and emotional satisfaction. Add this on the short list of sequels that are better than their predecessors.
Read MoreFor anyone who thinks Suicide Squad star and The Wolf of Wall Street vamp Margot Robbie is just a hot bod and a pretty face, watch I, Tonya. The 27-year-old Aussie’s ferocious and zealous performance riding the peaks and valleys of disgraced former champion figure skater Tonya Harding will erase those old notions centered solely on attractiveness. Brimming with depravity and teaming with talent, I, Tonya may be the brashest film you will see seen this year
Read MorePhantom Thread is a exquisite film of elevated aesthetics that drape over a scintillating story of tumultuous potential discord. There is infinite richness within the despair, spun by Daniel Day-Lewis re-teaming with his There Will Be Blood director Paul Thomas Anderson, as the fictional 1950s tailor of status. Mundane in some moments and mysterious in others, the sum of the literal and figurative details within the stitches and seams of this film make it one of the year’s best.
Read MoreDirector Ridley Scott borrowed a torn recipe page from headline history with the intention of presenting a five-course narrative meal. The executive chef had to change out a key dish at the last minute before plating only to arrive at an even better cinematic dining experience than one thought possible. All the Money in the World delivers on the promise of scintillating and satisfying tension in every bite and one of the most delicious portions of big-screen villainy this year.
Read MoreI do my best to write professional grade film criticism fit for a formal audience, becoming best friends with a thesaurus and using my big boy words. By day, I'm an elementary school educator. At work this year, I've been organizing a special field trip for 5th graders to see Wonder after they've been reading the novel all fall. This second "student-friendly" movie review is for them and other younger readers. Revised, this review scales down my review down from an 11.6 Flesch Kincaid readability level to a comfy 4.4 average.
Read MoreWonder’s buoyant messages are the moving jolt of empathy this generation needs. Even better, its literal and figurative precepts carry an inspiring weight worthy to last many generations more. Directed by the good hands of Stephen Chbosky, Wonder is an instant classic, sure to become a new favorite, for its target audience and a winning (and rare) example of a film taking great care to do justice by the book it is based on.
Read MoreIn her solo feature directorial debut, Greta Gerwig has stepped in and pushed this cinematic species tremendously forward with the dramedy Lady Bird. The film destroys any notion of the “manic pixie dream girl” fakery. Lady Bird is a cornucopia woven with striking candor and filled with delightful oxymorons artfully composed to challenge taboos and stereotypes. Let’s give each oxymoron a life lesson and a paragraph or two along the way.
Read MoreHaynes’ Wonderstruck still evokes true and impassioned power. The film strides within a sensitive middle ground of approachable and praiseworthy quaintness in addressing difficult youthful challenges and emotions. The effect is a grown-up experience audiences can, and should, appreciate compared to the mindless popcorn fluff and weightless distractions studio shovel into the PG marketplace. If a new definition could be created for the term “wonderstruck,” it would read “rapt attention.”
Read MoreFor a while now, I have long wondered how someone could bottle that signature Pixar-level lightness for dramatic heft and pour it into a live-action piece with the same welcome whimsy. Pixar's animated feature films and shorts consistently have a special way with conveying humor within the most difficult emotions I might have found the closest attempt yet in Chad Hamilton’s lovely short film Not Yet.
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