This gravity of consequence, importance, muscle, and heritage permeates every airspace of Top Gun: Maverick. Updated for a contemporary environment, the raw machismo is remodeled to match the progressive excellence and fortitude demanded of pilots today. The days of Marlboro Man-level cowboy pilots are virtually over– all save one: Capt. Pete “Maverick” Mitchell, played by, as many are calling “the last real movie star,” Tom Cruise.
Read MorePut the atlas away and send the stenographer on vacation. For this one, you’re going to need a Ouija board, a witch doctor, a semester’s worth of Disney+ homework, and either a giant Ambian or the PASIV machine from Inception to join the dream party. OG Spider-Man trilogy director Sam Raimi stuffs this movie with all of his signature garish monstrosity that can fit under a PG-13 rating. Prepare to be dazzled and prepare to be dizzy as well.
Read MoreWhen it comes to entertainment value versus artistic value, much can be forgiven about a film when its heart is in the right place. Beginning as a romantic comedy, The Sound of Violet has a beginning premise that veers very much into a cloying territory. Once the drama of its chosen realities thicken and the laughs no longer come easy, its sense of correction can feel quite heavy-handed. Normally, such an imbalance would be the death knell for a movie. Somehow, the openly hemorrhaging sweetness of The Sound of Violet grants a few critical pardons.
Read MoreThat Night may buzz around the living spaces and late-night haunts of the Windy City on a path to sunrises, but every pitfall or bit of good luck comes back to our main leads with karma and consequence. Through the boozy haze, Stacey and Lily confronting their uncertain futures is the locked core of the movie. Montenegro and Gester demonstrate excellent chemistry in their shared conversations where will-they/won’t-they cliches are challenged every step of the way.
Read MoreThe good storytellers at Pixar take all the possible cringeworthy “red” jokes and mask them through creatively conceived metaphors that soften the obligatory embarrassment with heart, humor, and courage. After all, to the Chinese culture on display in Turning Red, the potentially frightening shade of crimson counts as a lucky color of vitality, success, and happiness. Leave it to the ever-reliable Pixar to swim freely within that intrinsic good fortune as they so often do.
Read MoreNot to sound like a barista at a coffee shop, but we’ve reached a point after 83 years of character history across innumerable pages and screens that one has to ask, “How do you take your Batman?” Do you need emblematic cream, sugar, ice, extra caffeine, froth, or some similar fancy twist? If you take it black, filmmaker Matt Reeves has a trenta special called The Batman with your name on it.
Read MoreInstead of empathy leading to absorb the full breadth of such a possible tragedy, the conjured thrills selfishly serve only one side of the story and plead a hollow case by the end. By staying on Amy and her radical involvement in the climax, the movie forgets to consider the unseen characters in the story that do not fare as well. The movie is laser-focused on this one mom and her one kid with very little respect extended to the fullness of the event or larger issue. Even with the objective of making a claustrophobic and voyeuristic movie, that larger picture cannot responsibly be dismissed for selfish or singular gain.
Read MoreThat exchange is one of few that typifies the giddy hospitality and the bizarre allure of Strawberry Mansion from the writing and directing team of Kentucker Audley and Albert Birney. The movie extends a coy and welcome hand to join its descent into weirdness while still spinning plenty of heady oddities to rattle cages of normal sensibilities. Go ahead and take this movie’s leap into the surreal. You may just like what you find.
Read MoreNone of those interactions and traits do Tom Holland any favors in a big spot that he should have been allowed to outright own. By golly, it’s a good thing the kid (see, there I go doing it too) is an upper-level movie star athlete pulling off his own moves and an even better thing the high adventure that requires him to run, jump, leap, flip, and swing without his trusty Marvel webs is very entertaining. Still, what should be the second coming of Indiana Jones comes off more like a graduation and gender swap of Dora the Explorer.
Read MoreIn his second screen appearance as the famed private investigator Hercule Poirot, both the camera and our eyes are magnetized to Kenneth Branagh. There are drop dead gorgeous and expressive characters gallivanting all around, and we can’t pull away from the diminutive observer with that prominent mustache and those impeccable suits. Watch him in character.
Read MoreBetter than that academic boost, you will find a zealous movie that stands with decisiveness as one of the finest films of the year. The Tragedy of Macbeth seizes that prominence with precisely those two aforementioned traits: an inspired look and fire within the performers. There is no shortness of acting brilliance or production value perfection in every corner and millisecond of this picture.
Read MoreThat’s why American Underdog carries the kind of story we may never see again. Kurt Warner is a special individual and, as history shows, more than his athletic prowess. Fewer stories this past quarter-century were riper for cinematic celebration and fewer hero worship subjects were more deserving. Go ahead and lionize this man. He’s the real deal and he earned it.
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