This movie was better off not slamming the accelerator through its narrative entanglements to the next action showdown. Miller and company are best in The Flash when they are not doing something super and addressing the bigger themes about their conditions and consequences. You feel the movie’s melodrama hit most not when it zips by you with a rush of hot air but in stillness when it wrestles with its proverbial speed demons.
Read MoreNot to sound like a barista at a coffee shop, but we’ve reached a point after 83 years of character history across innumerable pages and screens that one has to ask, “How do you take your Batman?” Do you need emblematic cream, sugar, ice, extra caffeine, froth, or some similar fancy twist? If you take it black, filmmaker Matt Reeves has a trenta special called The Batman with your name on it.
Read MorePlenty of regular everyday people make New Year's Resolutions, but I think bigger entities, namely movie makers and movie moguls, need to make them too. Annually, including this seventh edition, this is my absolute favorite editorial to write every year. I have fun taking the movie industry to task for things they need to change. You would hope Hollywood would learn from those lessons going forward. Alas, here we go again! Enjoy!
Read MoreEmmanuel Noisette of the newly updated E-Man's Movie Reviews called for a wingman on a team-up movie. He was kind enough to invite me to represent Every Movie Has a Lesson on a recorded SPOILER-FILLED podcast of our immediate reactions after watching the Zack Snyder/Joss Whedon concoction of Justice League. We sit down and discuss what we saw, what we liked, and didn't like.
Read MoreJustice League comes across like attempted course correction done on that Etch-a-Sketch. The artist, or artists in this case, are trying to retrace old paths and smooth over past missteps with redrawn swirls, lighter hues, and a fluffy cover-up we call comedy. That effort on the cinematic Etch-a-Sketch indeed changes the initial picture, but only after unnecessarily tedious effort and some remaining messy results.
Read MoreSpider-Man: Homecoming counts as a clean slate for Peter Parker’s web-slinger. Now nestled into the established Marvel Cinematic Universe, Tom Holland is a true teenage Spider-Man, one that was never successfully conveyed by two previous franchises and their over-aged actors. Aiming to please and bursting with effervescent zest at every flip, swing, and turn, John Watts’ Spider-Man: Homecoming succeeds as a brand new jumping off point for a character that badly needed course correction.
Read MoreThe three-part noun definition of “wonder” can be summarized as “a cause of astonishment, the quality of excited admiration, or rapt attention at something awesomely mysterious or new to one’s experience.” Used as an adjective in a proper name, the word could not be more fitting of Princess Diana of Themyscira, better known as Wonder Woman. Whether it represents a cog in a larger universe, a historical watershed for women’s leadership, or the answered prayers of long-suffering fans and idolizing dreamers, Wonder Woman is a valiant, momentous, and satisfying first step fitting of the iconic heroine.
Read MoreChock full of more jokes, puns, and references than there are virtual plastic bricks, “The LEGO Batman Movie” is a breezy blast of unabashed fun. Twirling with dazzling animation and saturated with endless character possibilities, these two hours of zippy entertainment offer exhilarating playful engagement for young audiences and many absolute belly laughs for the adults. Like “The LEGO Movie” before it, the biggest flaw will always be the manic pace.
Read MoreBatman has evolved, but the long-standing love for that old TV show has only sweetened. The new WB Animation entry “Batman: Return of the Caped Crusaders” unlocks a time capsule and reminds us why Batman can be just as fun when he’s not brooding and sulking. With the triumphant returns of original cast members Adam West, Burt Ward, and Julie Newmar reassuming their Batman, Robin, and Catwoman mantles as voice actors, this new film possess audible and visual treats to behold.
Read MoreFour comic fans and film critics of the Chicago Independent Film Critics Circle wrestle with the villainy and quality of the hotly anticipated "Suicide Squad" after a recent advance screening for the press. Enjoy the heroic work of myself, Emmanuel Noisette, Jon Espino, and Jim Alexander!
Read MoreIn the words of professional wrestling Hall of Famer Razor Ramon, “Say hello to the bad guy!” Warner Bros. and their DC Entertainment wing need a rebound from the maligned “Batman v. Superman: Dawn of Justice” and are banking getting you to cheer for villains instead of heroes with “Suicide Squad.” Packed with a head-turning cast of wild cards and very little shame for spectacle, this film aims to combine the delicious referential villainy you loved in “Deadpool” with the anti-hero team dynamics of “Guardians of the Galaxy.”
Read MoreTo the uninformed, “Batman: The Killing Joke,” a one-shot written by Alan Moore and illustrated by Brian Bolland, is a blistering 64-page classic of grim madness that fleshes out the most widely-accepted and definitive origin story of Batman’s greatest villain, The Joker. The graphic novel routinely, after nearly thirty years, tops the lists of the best Joker stories, and even overall Batman stories, ever told on the comic page. Filled with rated-R level violence and disturbing content, this is not your Saturday morning or weekday afternoon Batman story.
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