I had the honor and pleasure this past week to join a league of movie-loving dads talking about a true fathers' movie: 1983's Mr. Mom. Host Patrick Hicks orchestrated myself and fellow regular Feelin' Film contributor Jeremy Calcara in a lively discussion covering the film, dad jokes, how our own upbringing informed our own parenting styles, our tremendous wives, and what makes this John Hughes film worth revisiting.
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The best cinematic sales job in the world goes to Charlize Theron, performing 98% of her own stunts and playing the flaxen viper with every drop of convincing venom necessary, which is always a razz because she can be an absolute ham off-screen. She prefers the hard stuff, just like her character’s taste in booze.
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For a film like Detroit with difficult content thrust upon audiences to endure, this is not a place to seek entertainment or joy. Instead, Detroit is a challenge of cementing respect and achieving an empathy deeper than basic sympathy. Step into a beyond-cautionary tale of history that school books skipped or have forgotten. Let Detroit stir and inspire conversations. Let the emotions, good and bad, come and talk about them.
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If you're like me and friend-of-the-page Emmanuel Noisette of Eman's Movie Reviews, you might be feeling masterpiece-labeling pressure and Dunkirk review fatigue. For Emmanuel, guest extraordinaire Harry Egbo, and I, the film didn't resonate with us emotionally, but we had plenty of superlatives to talk about mingling with the challenges and questions. This is a SPOILER-FILLED audio discussion and the ethnic music in the background is all bonus gravy!
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As a big Christopher Nolan fan and supporter, this review was difficult. Critic after critic is calling Dunkirk Nolan's masterpiece and best film to date. I simply can't do that and no filmmaker should ever get a pass. In fact, it might be the worst of his films I have seen, but that's like slipping from a king-size Sleep Number mattress to a king-size pillowtop mattress. The fall isn't far. Allow me to explain. Here's my "Movie Classroom" interactive whiteboard presentation of the audio form of my written review as it appears posted on Every Movie Has a Lesson's YouTube channel.
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Some movies move some people while leaving others scratching their heads. Welcome to an incredible movie therapy session. Aaron White of the Feelin' Film Podcast and I do our best to tell you what A Ghost Story is, and isn’t, so that you can decide if it’s worth your time. It will either frustrate you or leave you haunted. Listen now to this episide of "Feelin' It" to find out which you’ll be.
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Through my collaboration with the folks at the Feelin' Film Podcast, I have had the pleasure of crossing virtual paths with Chad Hopkins, the host of The Cinescope Podcast. He cordially invited me on as a guest for a podcast talk on John Avildsen's The Karate Kid as an off-shoot sample of American values just in time for Independence Day.
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As technically proficient and respectful to history as Dunkirk is, no substantial human anchors of emotion emerge in this film that wants to be seen as an inspiring rescue saga before a war film or historical epic. The totems of fear and survival are ever-present, but there are no magnetic characters to carry those existential burdens. It is a critical flaw in an otherwise astounding dramatic thriller.
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The phrase “nuns behaving badly” sounds like a bad porno title or a silly hashtag. Alas, that’s the low-hanging fruit and chicanery afoot in The Little Hours. Tracing inspiration to a yarn from one of Giovanni Boccaccio’s collected 14th century novellas in The Decameron, the new ensemble film from Jeff Baena wraps it religious habit up with wit, erotica, and practical jokes from Italian prose translated into a modern vernacular.
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Welcome to the polarizing gamut of engagement, acceptance, and disquiet of A Ghost Story. This is a wholly original film that takes preparation, patience, absorption, and reflection that some, or even many, may not be ready for. Presented in the rounded and claustrophobic corners of a centered 1.33:1 aspect ratio, it is safe to say, you will see nothing like this all year and maybe several more.
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It's time to call the prequel trilogy of Planet of the Apes one of the best movie trilogies of all-time. It's time to give serious Oscar consideration to Andy Serkis as Caeser. It's time to see what is, so far, the best film of 2017. Hear those thoughts and more in my "Movie Classroom" interactive whiteboard video review for War for the Planet of the Apes as it appears published on the Every Movie Has a Lesson YouTube channel. See this film immediately.
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Friend-of-the-page Emmanuel Noisette of Eman's Movie Reviews invited me to record the beginnings of a new podcast for his brand. Because his YouTube reviews tend to be spoiler-free, these new chats will be spoiler-filled reactions and discussions. As always, we have a fun back-and-forth as two guys free of "fanlexia" to praise Spider-Man: Homecoming. Enjoy!
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