MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on August 27, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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MEDIA APPEARANCE: "Connecting With Classics" Episode 8: "Lawrence of Arabia"

Closing out the main summer months with the August pick of the Feelin' Film Podcast "Connecting With Classics" series, host Aaron White and I needed to carve out some serious committed time to absorb and appreciate the longest film ever to win the Best Picture Oscar.  That revered classic and victor is the 56-year-old Lawrence of Arabia from director David Lean and it has a lengthy resume of accolades, rankings, and awards    Ladies and gentlemen, welcome to the definition of a true Hollywood epic.

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MEDIA APPEARANCE: Minisode podcast guest for "Feelin' Film" to review "Searching"

If you follow my social media shingles, you know I can't stop and won't stop stumping for this film.  Searching is an incredible combination of innovative filmmaking, anxiety-inducing thrills, emotionally complex characters, and relevant commentary on the internet as both a danger and potential tool for good. Feelin' Film co-creator Aaron White and I were both floored by writer/director Aneesh Chaganty’s debut feature film and John Cho’s performance in it, so we sat down for a conversation about what makes the film so special.  Enjoy this excellent conversation with all the feels and kudos!

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INFOGRAPHIC: Most destructive house parties on film

A free house, teens, alcohol, and music - what could possibly go wrong? Plenty! We’ve all seen the famous college party depicted in movies. There is almost always debauchery, spilt drinks, and general house trashing. These parties cause a lot more damage than your average house party. In a film, you’d be lucky if your house party cost $1000 in damages. As a matter of fact, none of the parties on this list cost less than $2000. Thankfully, your run-of-the-mill house party doesn’t cost as much. However, it wouldn’t be a cliché movie if it was an accurate representation, would it?

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MOVIE REVIEW: Searching

The entirety of this daring film is presented through the layers of screens across computer desktops, video streams, and a mouse pointer that moves like a scalpel over those pixelated surfaces. The effect is addictively scintillating to create harrowing emotional triggers. Call it a gimmick all you want, but be prepared to be dazzled and proven wrong by the astonishing narrative construction and visual storytelling conduits. True to both the lurid intensity and exceeding excellence of the dictionary definition, Searching is downright sensational

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on August 20, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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MEDIA APPEARANCE: Interview in the "Forest Park Review"

Recently, I pitched my local suburban newspaper, The Forest Park Review, to volunteer my film reviews as a potential worthy addition to their publication. Its editor declined citing space is at a premium for focusing on local topics and issues, but he liked my journey as a school teacher, film critic, and co-founder of the Chicago Independent Film Critics Circle.  He wanted to know if I would interested in being interviewed for a citizen's spotlight.  I was glad and honored to oblige.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on August 13, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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MOVIE REVIEW: Pickings

Watching the death-dealing retribution and grudge-settling on display definitely shows the dishonesty part, but you will find nothing easy enough to be called “pickings.” Oozing all kinds of artistic flamboyance and crimson damage, this film is a straight punch to the face that has to swing hard to to knock you out. Like any punch, the hand delivering it stings as much as the cheek that receiving it. Sure enough, Pickings is a punch you’ll take and ask for another.

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MEDIA APPEARANCE: David Ehrlich's IndieWire Critics Survey on August 6, 2018

Notable and notorious IndieWire film critic David Ehrlich recently put out a social media call for film critic peers to join a weekly survey to discuss movie topics, answer questions, and highlight their work.  Representing Every Movie Has a Lesson, I, along with over 60 other emerging and established film critics including some of my fellow Chicago Independent Film Critics Circle members, accepted the invitation to participate.  I'm honored by the opportunity, and I hope my responses are chosen each week.  

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MOVIE REVIEW: The Meg

Smirking and confident in its own bristly sharkskin armor, The Meg is as lean a blockbuster as you will find. Any fat is trimmed quickly by the urge to chomp up more people and scenery. Since this go-big-or-go-home late summer IMAX sizzler is a creature feature B-movie dependent on a carnivorous buffet of victims (and customers) to satiate its excitement (and bottom line), the loving focus for this critique will be the types and cuts of meat consumed and on display. Tuck your monster movie napkin into shirt collar, skip the hoity-toity hand sanitizer, and bring your creative kill appetite to an entertaining little film feast.

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