The bloody swirls of cold ocean water where a cute little terrier wearing a fou-fou life vest for his yachtsman owner used to be represents the first pre-credits victim of Island Zero. That pooch is the first of a cavalcade of casualties to come. This indie flick of cheesy gore pierced by a stab at serious science works hard to make the most of is resources to craft an involved little creature feature and paranoid thriller. The shrewdly cleaver Island Zero arrives nationwide on VOD on May 15th from Freestyle Releasing.
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No matter what, all of Deadpool 2 is nonsensical, of course, and there was no way this movie wasn’t going to be exactly what it is: FUN. That part doesn't go away. Folks can try to champion the first film and this one as anti-comic-book-movie movies, but, make no mistake, both of these blockbusters end up becoming comic book movies anyway just with more willingness and success to subvert the formula. However, that ridiculous energy is precisely the charm people are flocking and paying to see over in this
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Every Movie Has a Lesson gives a hearty welcome back to The Cinescope Podcast, hosted by Chad Hopkins, after a brief winter sabbatical. After seeing me recently come out of hosting a screening of E.T.: the Extra-Terrestrial through the "Kids Klassics" series at The Wilmette Theatre, Chad invited me to record a nostalgic retrospective on Spielberg's film as the return episode of The Cinescope Podcast. E.T. is a cherished favorite film for both of us and it made for lovely discussion.
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UPDATED: Found within are my capsule reviews of the feature films and documentaries covered by Every Movie Has a Lesson from this year’s 6th Chicago Critics Film Festival. This post will be updated as new films are reviewed are completed, so be sure to bookmark this and come back each day as new offerings arrive. Build your 2018 hidden gem list and see you at the Music Box Theatre in Lakeview!
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Academy Award-winning writer Diablo Cody has an unparalleled gift for the sardonic. She knows just the right rhythm of mockery and skepticism to twist mundane circumstances into something both witty and affecting. When combined with director Jason Reitman (Juno and Young Adult) and his sensibilities wired to much the same wavelength, the results are gleefully glorious. With their latest collaboration Tully, the writer-and-director duo have done it again.
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This man is a cowboy. Normally, that’s all you have to say and the portrait of toughness is painted, but therein lies the mystery within the mundane of The Rider. Populated by untrained actors and inspired by true events of these rookie performers, Chloé Zhao’s sophomore feature film stands on that determination only to slowly reveal the internal aches underneath the grizzled exteriors of hat brims, denim, and vices.
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This week, I was cordially invited to re-team with the mainstays of the Kicking the Seat Podcast hosted by Ian Simmons. David Fowlie of Keeping it Reel, Emmanuel Noisette of Eman's Movie Reviews, Ian, and I consider ourselves Earth's Mightiest Critics to discuss Marvel's summer-movie megalith, Avengers: Infinity War! We decompressed and ranted after an early screening at the MacGuffins bar and lounge of the AMC River East location. Presented here is an evenly divided round table of opinions.
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For this departing month of April, Aaron White of the Feelin' Film podcast are pleased to present you a conversation about 1953’s Shane, just in time for its 65th anniversary. Newer or younger audiences may recognize this film as the allegorical pairing made in James Mangold’s Logan, but this classic western sits at #46 on the AFI Top 100 10th Anniversary list and #3 on the westerns list for good reasons.
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Atypical to the big-talking hot heads and inflated anti-hero personalities common of the genre, Alan Ladd’s cowboy and director George Stevens’ Shane operates with a code and a compass that is idyllic and pure. Ranked the #3 western of all-time by the American Film Institute and their #45 overall American film, Shane is an anointed classic and masterpiece. Why? It’s because Shane carries itself with equal parts heroic grandeur and hardscrabble ethics that can still resonate and draw audience appreciation today, 65 years later.
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