"Sicario" is a raw labyrinth of grit and surprises. This film is a python of suspense. Just when you think the film can't squeeze you any tighter, it chokes you even more. It resets the bar as the best and finest film on drug warfare that Hollywood has ever attempted. "Sicario" is steely, seedy, scary, and jarring in its underlying social and political commentary to bore that out. It's the kind of film that will make you never want to visit Mexico or live in Arizona or Texas.
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Like all of the failed live-action fairy tale remakes, the two largest missing components are restraint and charm. The timeless stories being attempted by films like "Pan" have no idea how to let a good narrative flow build or a poignant moment breathe before stepping to the next unrelenting set piece. The original written sources of these films have that restraint and quality. Blasts of action and sound have replaced subtle imagery and brevity. "Pan" lacks any and all charm to enamor the audience into what made Barrie's tale lovable and enchanting. Charm is replaced by dissonance and pandering.
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Simply put, "The Martian" from director Ridley Scott and headlining star Matt Damon, is a great survival film. It strikes all of those aforementioned chords of survival essence and entertainment. Giving it the easy labels of "Castaway in Space," "Robinson Crusoe: Astronaut," "Interstellar without Nolanism," "Apollo 13 on Mars," or "The Next Gravity" sells it too short. "The Martian" doesn't need to borrow anything from those five notable survival film stories and can stand confidently aside, or even above them, as an exemplar all its own in the genre. Meet what is sure to go down as one of 2015's best films.
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The definition of "marvel" can be given as a noun or a verb. As a noun, it means "something that causes wonder, admiration, or astonishment." When used as a verb, marvel means "to wonder of be curious about." Several aspects about the true story behind "The Walk" spell out both definitions of marvel. Just hearing about the daredevil feat orchestrated by Frenchman Philippe Petit, walking for an hour on a high-wire 110 stories up across the former twin towers of the World Trade Center, evokes a "He did what?!" head-turning reaction where you acknowledge the wonderment and want to learn more. While not perfect, "The Walk" astonishes enough visually bringing this historic stunt to life to captivate movie-going audiences.
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