When I call "Wild" a "chick flick" of the highest order, I don't mean the tropes, cliches, and stereotypes. I mean the label from the empowerment and importance standpoint. "Wild" is the positive kind of "chick flick" that isn't made enough and is drowned out by other crappier efforts targeted at women. With its true story tale, "Wild" is a strong and substantial film for female audiences. I do not say this next statement lightly. "Wild" is truly a film that every woman should see and one they should put on a more preferred pedestal for ideals compared to the "chick flicks" that ruin women's good sense. Better yet, it's an accessible film for all movie-going clientele, not just the ladies.
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When Keaton's perfection is combined with the film's bracing, topical, and strong social commentary on Hollywood, Broadway, acting, fame, and celebrity for this different modern world, "Birdman" becomes even larger of an achievement for Mexican director and Academy Award nominee Alejandro Gonzalez Inarritu. Subtitled "The Unexpected Virtue of Ignorance," this new film will earn a high place on many year-end lists for one of the year's best.
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Bill Murray, at his age and at this end of his career reinvention as a serious actor over the last two decades, has reached the point where he is unarguably great in everything he touches, right down to silly cameos and web videos. In his new film, “St. Vincent” his powers of talent and charm have merged and reached a new peak.
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In accordance with the rules placed on me with my press credentials, I am not allowed to publish and post full reviews of the films I saw until their official U.S. distribution and release date. For some movies, that's happening now with the festival itself and for others that holding stretches into 2015. I would love to lay out everything, but I can't and you have to be patient. What I am allowed put out are capsule reviews: brief takes and short critiques that offer a taste of the full meal. Here are capsules for all of the films I attended from the 50th anniversary schedule. Each are listed with their anticipatory U.S. release dates for when you will find my review.
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In its banner 50th anniversary year, the Chicago International Film Festival welcomed another deep field of cinematic competition spanning feature films, local works, animated efforts, international selections, numerous documentary films, and vast number of short films. On Friday, October 17th, the festival held its annual awards banquet. The ceremony and festivities were hosted by Fox News Chicago entertainment reporter and Chicago Sun-Times columnist Bill Zwecker. Awards were given out in the following categories: International Feature Film Competition, New Directors Competition, Roger Ebert Award, Chicago Award, Q-Hugo Award, DocuFest and Shorts
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Since starting in 1965, the Chicago International Film Festival has operated as the country's oldest competitive international film festival. Following "Miss Julie" and the Opening Night Gala, two films will be featured as the Festival Centerpieces. Both films will screened on Wednesday, October 15th. Over the course of the two and a half weeks that follow, over 300 more films and events will take place primarily at the AMC River East 21 theater on 322 East Illinois Street. Best of all, this whole extravaganza is open to the public. For this watershed anniversary, several special presentations are planned.
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