Bill Condon’s “Beauty and the Beast” stands firmly on its own merit. True to Disney’s recent trajectory, its goal is to “reimagine” a previous animated classic into the live-action medium for a new era and audience. Unlike the recent treatments of "Cinderella" and "Malificent," this "Beauty and the Beast" stays a full-blown musical. Imitation, emulation, and homage are all part of that process, but so is reappraisal and reinterpretation. Those later two actions are what drive this new fantasy film to soaring and successful heights.
Read MoreWith the arrival of "The Hobbit: The Battle of the Five Armies," we have made it to the payoff. This big story gets its ending, its tidy bow, and its cherry-on-top. Even if you think the movie studio was milking you for three movie tickets over three years out of a book that probably could have fit into a single film, you now get to see your patience rewarded and your virtue justified. You will realize it was worth it. You will feel like you stuck around to see "Superman" save the world, you survived the walk down those basement stairs in "Psycho," and you partied with the Ewoks and spirit Jedis in "Star Wars."
Read MoreThe successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
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