To come right to the point, “Get Out” is an 104-minute living embodiment of a slow-burning WTF moment that just keeps growing with every new detail. And it’s glorious for being that very thing. More psychological thriller than the spattered horror it’s being billed to be, Jordan Peele’s directorial debut is subversively edgy and devilishly clever.
Read MoreAfter two movies of turn-back-the-clock course correction, it is fair to rank the "X-Men" series right next to "The Fast and Furious" as a film franchise that was derailed, left for dead, and since rescued with a filmmaking resurgence. "X-Men: First Class" introduced new youthful vigor and was followed by the return of original franchise steward Bryan Singer for the slate-wiping "X-Men: Days of Future Past." The latter film grossed more than double any of its franchise predecessors and enabled the series to pass the torch from the seniors to the juniors. Flush with success, good graces, and a new lease on life, "X-Men: Apocalypse" arrives with the goal to top everything that's been done in 20th Century Fox's offshoot shingle of a Marvel universe.
Read MoreThe successful revitalization brought by “X-Men: First Class” and the unfaded star power of Hugh Jackman have brought us to “X-Men: Days of Future Past.” Original series director Bryan Singer, fresh from “Jack the Giant Slayer,” and “X-Men: The Last Stand” screenwriter Simon Kinberg have returned to correct old mistakes, untangle the knots, and realign this previously failed franchise for a healthy new lease on cinematic life and relevance.
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